Music for Chameleons
way to Newark. I sort of forgotabout it. But for the last few months I find myself wondering about Ivory Hunter and George Schmidt. It must be age; I’m beginning to feel old myself.”
    She knelt beside him again; she held his hand, interweaving her fingers with his. “Fifty-two? And you feel old ?”
    He had retreated; when he spoke, it was the wondering murmur of a man addressing himself. “I always had such confidence. Just walking the street, I felt such a swing . I could feel people looking at me—on the street, in a restaurant, at a party—envying me, wondering who is that guy. Whenever I walked into a party, I knew I could have half the women in the room if I wanted them. But that’s all over. Seems as though old George Whitelaw has become the invisible man. Not a head turns. I called Mimi Stewart twice last week, and she never returned the calls. I didn’t tell you, but I stopped at Buddy Wilson’s yesterday, he was having a little cocktail thing. There must have been twenty fairly attractive girls, and they all looked right through me; to them I was a tired old guy who smiled too much.”
    She said: “But I thought you were still seeing Christine.”
    “I’ll tell you a secret. Christine is engaged to that Rutherford boy from Philadelphia. I haven’t seen her since November. He’s okay for her; she’s happy and I’m happy for her.”
    “Christine! Which Rutherford boy? Kenyon or Paul?”
    “The older one.”
    “That’s Kenyon. You knew that and didn’t tell me?”
    “There’s so much I haven’t told you, my dear.”
    Yet that was not entirely true. For when they had stopped sleeping together, they had begun discussing together—indeed, collaborating on—each of his affairs. Alice Kent: five months; ended because she’d demanded he divorce and marry her. Sister Jones: terminated after one year when her husband found out about it. Pat Simpson: a Vogue model who’d gone to Hollywood, promised to return and never had. Adele O’Hara: beautiful, analcoholic, a rambunctious scene-maker; he’d broken that one off himself. Mary Campbell, Mary Chester, Jane Vere-Jones. Others. And now Christine.
    A few he had discovered himself; the majority were “romances” she herself had stage-managed, friends she’d introduced him to, confidantes she had trusted to provide him with an outlet but not to exceed the mark.
    “Well,” she sighed. “I suppose we can’t blame Christine. Kenyon Rutherford’s rather a catch.” Still, her mind was running, searching like the flames shivering through the logs: a name to fill the void. Alice Combs: available, but too dull. Charlotte Finch: too rich, and George felt emasculated by women—or men, for that matter—richer than himself. Perhaps the Ellison woman? The soigné Mrs. Harold Ellison who was in Haiti getting a swift divorce …
    He said: “Stop frowning.”
    “I’m not frowning.”
    “It just means more silicone, more bills from Orentreich. I’d rather see the human wrinkles. It doesn’t matter whose fault it is. We all, sometimes, leave each other out there under the skies, and we never understand why.”
    AN ECHO, CAVERNS RESOUNDING: Jaime Sanchez and Carlos and Angelita; Hulga and Freddy Feo and Ivory Hunter and Mr. Schmidt; Dr. Bentsen and George, George and herself, Dr. Bentsen and Mary Rhinelander …
    He gave a slight pressure to their interwoven fingers, and with his other hand, raised her chin and insisted on their eyes meeting. He moved her hand up to his lips and kissed its palm.
    “I love you, Sarah.”
    “I love you, too.”
    But the touch of his lips, the insinuated threat, tautened her.Below stairs, she heard the rattle of silver on trays: Anna and Margaret were ascending with the fireside supper.
    “I love you, too,” she repeated with pretended sleepiness, and with a feigned languor moved to draw the window draperies. Drawn, the heavy silk concealed the night river and the lighted riverboats, so snow-misted that they were as

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