Necronomicon: The Wanderings of Alhazred

Necronomicon: The Wanderings of Alhazred by Donald Tyson

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Authors: Donald Tyson
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suffered all the torments of death; more than this, his consciousness remained locked in the flesh of the infant after it was cooked, and he was forced to endure the indignity of being cut apart and consumed piece by piece. Such are the hazards inherent in the practice of wizardry.
    In the mornings after a rain, when the mist hangs close to the grasslands and the sun barely glows above the low lines of slate-colored clouds that hug the horizon, the form of a great city with vast towers and oblong habitations of stone may be seen in mirage; for no matter how clear the lineaments of the city, which at times is visible in great fineness of detail, it invariably wavers and vanishes when approached. The shamans tell that it is the city of the Elder Things that once rose where Leng now is, but over the passing of aeons moved with the movements of the earth itself to some distant place far to the south. It is their belief that the ground upon which we walk is not fixed, but floats upon the depths of the sea, and that the winds of ages blow the land across the sea, so that our world is forever rearranged, and what was north becomes south, and what was east becomes west.
    The common people of Leng worship the shamans, but the shamans worship Yog-Sothoth, the master of the portals who is at oneness with all time and space, and who manifests as a conflux of the spheres of the heavens, glowing with all colors simultaneously. Learn wisdom and worship Yog-Sothoth if you would transcend the limits of distance and the barrier of time, and would be a far traveler in the myriad of worlds; worship him if you would defy death itself and live beyond your allotted years, for Yog-Sothoth holds the keys to all the gates, even the gate of death. The shamans adore him with the following prayer that can only imperfectly be rendered into our tongue:
    “Aieei-k’tay! Heed my cry, Yog-Sothoth, by your secret name I adore thee, by your true name I offer obeisance in return for your sufferance, the utterance of which is death. On my knees I beg the gift of slavery in your service, O Herder of Ages. Accept my offering of blood, flesh, and bone, and the torment of this soul that I have bound for your pleasure. Set free the gates, Lord of Transitions, that my voice may spread the glory of your greatness, borne upon the wings of the k’tay that guards the descent of my fathers. I acknowledge your supremacy and bear witness of your greatness in the hall of reckoning beyond the stars. Aieei-k’tay, Yog-Sothoth, aieei-k’tay.”

he City of Heights, as it may be called, is the original home of the Elder Race, more ancient even than the Old Ones, who traveled to our world long before the creation of man. Here they erected a new city in imitation of that familiar place, and this second home may still be seen in its ghostly outlines in the mists on the plateau of Leng. As monumental as it appears to human eyes, it is but a low and unworthy shadow of the original, which shimmers beneath the heat of three suns on their distant world. Whether this place can be reached in the body is unknown, although some have said that by means of certain angles that cut channels through the substance of space itself, and by the careful preparation of the flesh with herbal concoctions, travel is to be had to this distant world without recourse to soul flight; but whether a living man could survive such a flight can only be demonstrated by the attempt.
    The bodies of the Elder Ones appear awkward and unnatural to our perceptions, yet they move with rapidity on their five lower limbs with splayed feet triangular in shape. Their gray trunks are leathery and hard to the touch, and are ribbed with vertical ridges. From them extend flexible arms that are much like the branches of a tree. Between the ridges expand translucent gray wings that open from the bottom to the top like a fan. They enable flight both through air and the emptiness between the stars, and their rhythmic beatings

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