water left in the pan. The pork steaks were burned to a crisp. Vegetables were half prepared, just left there on the chopping board. It was like the four of them had downed tools and walked out of the house. There was nothing out of place.â She turned her coffee mug, lost in thought for a moment. âIn fact, the opposite, really. Everything was
in
place. Even the table was set: cutlery laid out, drinks prepared.â
âDid it look like theyâd left in a hurry?â
She shook her head, but in her eyes I saw a flicker of hesitation: as if sheâd remembered something but wasnât sure whether it was even worth bringing up.
âEmily?â
âThe milk,â she said.
âMilk?â
âThe fridge had been left ajar. This big four-pinter was lying on the floor, and all the milk had poured out of it, across the linoleum. But that was it. That was the only thing. Even the dog was still wandering around the house.â
âDid you check upstairs?â
âI checked the whole house.â
âAnything stolen?â
âNo.â
âMoney, bank cards, wallets, phones, TVs, DVDs, computersâyou know the kind of thing. None of that had been taken?â
âNo.â
âWould you know if it had?â
âThe TV was on in the living room, Paulâs computer was on in his study, Livâs toys were scattered all over the floor of her room. But not like the place had been turned over. Not like that at all. It was like Livâlike all of themâhad
just
been there.â
âMoments before?â
âRight. It was like a museum.â
She meant it was a snapshot of time; nothing but the milk out of place. The food was still cooking, the lights were still on, the TV, the computer, the cars, the dog.
âYou presumably tried calling them?â
âYes.â
âNo answer?â
âTheir phones were still in the house.â
I reached across the table and grabbed a piece of paper with a shopping list on it. It was everything I needed to repair the fence panels out back. For now, it would have to do as a makeshift pad. Iâd left the real one back in London, I suppose as some sort of symbolic gesture. Except here I was, four months after leaving the city, doing everything I shouldnât have. Part of me knew this was already a mistake: my feelings about taking on work from people I knew had hardened and crystallized over the past two years, mainly because Iâd done it onceâfor a woman Derryn had worked withâand, in trying to find her son, Iâd been left with scars on my body that would never heal, and memories that would never fade. And yet, as Emily recounted the disappearance of her sister and her family, I felt a buzz of electricity in my stomach. For the first time in months, I felt normal.
âWhatâs Carrieâs surname now?â
âLing.â
I started making some notes. âHer husbandâs Paul?â
âYes.â
âAnd the full names of the girls?â
âAnnabel and Olivia.â
âDid you file a missing persons report?â
She nodded. âI called them right away. They told me to come to Totnes station. The PC there asked me a few questions, filled in somepaperwork, then said a team would be by the next day to take DNA samples and look around the house.â
âThey didnât find anything?â
âNo,â she said, eyes on me, hands flat to the table either side of her mug. âThey took lots of things away for analysis, but it all got returned eventually.â
âDo you remember exactly what they took?â
âPaulâs computer, their phones.â
âWhose phones?â
âCarrieâs, Paulâs and Belleâs.â
âAnnabel had her own phone?â
âSheâs almost twenty-five.â
I put down the pen. âSo, how old is Liv then?â
âEight.â But she didnât need me to fill in the
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