visibly loosened up his defence system. I slowly shifted my feet into the starting position; then, inside the infinitesimal crack of hesitation, I leaped to his right and hit his temple as hard as I could, hard enough to throw him off balance and interrupt the move he’d begun to make, to draw his weapon, which he’d carelessly put back in the holster after regaining possession of the blue paper. My right arm made the move that his was supposed to make, and I grabbed the butt of his revolver. Then I moved as if to ward him off, which put a screen of distance between us and allowed me to fire.
“One word and I shoot. Go out ahead of me. Take me to the car …”
I followed close behind him, concentrating on his movements so that all I saw of the sumptuous chateau were some fragmented images that my own movements distorted: gilded mouldings, the outline of a buffet, a leather-bound book … The chateau remained deep in silence: for my safety, nothing else mattered. On the left, in a vestibule next to the salon, was the exit. We went out quickly to the garden. I let my host get several steps ahead of me to be sure that he was in my sights and to forestall any surprise. I spotted the blue Opel right away: I made him give me the keys and took several steps around the car. Without haste I opened the trunk and gestured to H. de Heutz to get inside; fortunately there was room. He hesitated, surprised and suspicious too, most likely. But since I emphasized my point with a simple movement of the hand holding the gun, he stepped over the rear bumper and curled up inside as best he could just before I brought the lid down. A few seconds later I was at the wheel. I had no trouble starting the Opel’s engine and making the little sedan move along the gravel. There was no fence at the exit to the grounds; I turned right instinctively, just in case. The chateau was close to a village that gradually came into sight in my rear-viewmirror as I drove away. I spotted a sign on the other side of the little road and slowed down to read the name of the village: Echandens. This name meant nothing to me, but from the configuration of the landscape I guessed I was somewhere between Geneva and Lausanne, closer to Lausanne actually, because of my position relative to the constellation of glaciers that were lit obliquely by the sun. There was just one thing for me to do: drive towards the great depression where, far below, I saw the luminous face of Lac Léman.
T ONIGHT, AS I drive between Echandens and the bottom of a valley in the car belonging to a man who’s no longer bothering me, I feel discouraged. I have not yet killed this man, H. de Heutz or von Ryndt, and that’s depressing. I’m very weary: a vague yearning for suicide has come back to me. I’m tired finally. And my problem strangely resembles that of the unknown man curled up in the trunk of a blue Opel that I drove at a good clip from Echandens to Morges down unfamiliar secondary roads. Now I had just one concern: what method should I use for killing H. de Heutz? As I made my way through this peaceful countryside, I could make out more clearly the cirque of mountains surrounding the lake and recognize the dramatic configuration of this landscape that had enchanted K and me. Emerging onto the heights of Morges, I drove onto the long ribbon of the expressway to Geneva. The dashboard clock read half-past nine; my watch, which was more precise, showed nine-thirty-two. All was well. The package in my trunk didn’t reduce my cruising speed. I was genuinely happy, nearly ecstatic as I drove along. My imagination and my superiority had pulled me out of an awkward situation. My honour was safe. At half-past six I would meet K on the terrace of the Hôtel d’Angleterre, which gave me plenty of time to send a few bullets into my passenger’stemple. In fact I had too much time: I had practically nothing to do before our meeting and I was already burning with impatience. Overwhelmed
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