Next Life Might Be Kinder

Next Life Might Be Kinder by Howard Norman Page A

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Authors: Howard Norman
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tables I have ever read about was Diego Giacometti, the famous artist Alberto’s brother. An artist himself, Diego constructed glass-topped tables with welded cast-iron legs and frames, some festooned with intricately made birds. He named one table
Glass Aviary.
In her library Cynthia had a number of books about Diego Giacometti’s tables, and one about the wooden cabinets he designed. Cynthia works every morning in her studio, a structure separate from the house whose window also looks out on the beach. “I let two, at most three, designs out of the house every year,” she told me. “I work all the time.
All
the time. I just don’t let much out of the house.”
    I’ve noticed of late that one of Philip’s oft-used phrases is “situational ethics.” He’s been mulling over his next book; his subject hasn’t come into full focus yet, but it’s something to do with how certain Canadian judges, in critical moments during murder trials, “experience a kind of ethical confusion and make a dubious decision,” as Philip explained it. “It’s about how the simple words ‘sustained’ and ‘overruled’ are never really simple. They can have enormous repercussions. I want to trace all this from the initial utterance to a good or bad end. I’m still working all this out. I’m filling notebooks.” Philip applies the term “situational ethics” to day-to-day behavior too, with his friends, his family, himself. The phrase is constantly on his mind.
    Anyway, I was getting to know my neighbors pretty well. One late-spring afternoon, Cynthia dropped by the cottage and asked if I would like to accompany her to some antique shops in villages along Route 3—Eagle Head, Beach Meadows, Western Head, White Point, Hunt’s Point, maybe as far south as Wreck Point.
    But I said, “I don’t think I’d be very good company today.”
    â€œThat makes two of us,” she said. “How about it anyway? I’ll get us back before dark.” I knew she was alluding to my nightly visits to the beach to see Elizabeth. She was so easygoing and accepting, I changed my mind.
    There was a cool breeze, and enormous cumulus clouds floated over the sea. We were having a very good time in the car, talking, not talking. After we’d visited a number of shops, we stopped for lunch at Lower Point Herbert, farther along the coast than Cynthia had intended to drive. “Nice we could both set our bad moods aside for the day, isn’t it?” she said. Following lunch, we decided to continue on to Gunning Cove and made a few stops along the way, this or that antique shop.
    At about five o’clock, almost at Gunning Cove, we saw an estate sale in progress at an enormous nineteenth-century gabled house with a wraparound porch, in obvious disrepair. All sorts of furniture and paraphernalia were set out on the lawn. There were fifteen or so people looking things over. The house itself was for sale, too. Off to the left, sitting at a roll-top desk (also for sale), sat a stodgy-looking woman about forty-five years old. There was a handmade sign taped to the table: HAGGLING ALLOWED . Cynthia went over to the woman and found out that she was the granddaughter of the original owners of the house, who’d had eleven children and nineteen grandchildren when they died—“within two days of each other, her grandparents, isn’t that something?” Cynthia said to me.
    â€œDetective Cynthia,” I said. “I’m impressed.”
    â€œStill, one thing I’ve learned from living in Port Medway—sometimes the more chatty, the deeper the secrets.”
    I sat on the porch watching people inspecting items, buying, hauling off a lamp here, a chair there. Sales of the small items especially were brisk, and the till was slowly filling. I turned my attention to Cynthia, who had gotten down on her knees to inspect

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