No Lease on Life by Lynne Tillman

trouble. It was a sorry place for sorry situations. Elizabeth was desperate in desperate places. Hector the super’s daughter-in-law walked in to the squalid office. Elizabeth said hello, and everyone nodded. Hector’s daughter-in-law was having trouble with her landlord and her husband. Elizabeth knew that. She’d already had two kids and the two kids were miserable. Even before their parents separated, the kids were falling on their faces, having too many awful accidents, and were being rushed, bloody, to too many emergency rooms. The daughter-in-law was tragic at eighteen.
    Elizabeth worried that the girl would mention seeing them to Hector the super, seeing them in the free tenant lawyer’s office. Hector would tell the Big G. Ernest told Elizabeth they were within their rights, doing what they were doing, they were absolutely within their rights. Nothing would happen to them. He smiled benignly at her.
    Elizabeth wasn’t sure if being within her rights covered being seen as a conspirator, an agitator, and whether her rights would keep her from being tormented before being thrown out of the building illegally in the middle of the night. It wouldn’t happen, Ernest went on reassuringly. They were sitting tenants with leases. She was, she repeated to herself, a sitting tenant with a lease.
    One night, when no one was around, except the morons on the street, Ernest and Elizabeth collected evidence for their dossier against the landlord. Pictures had to be included with the letter to the city. They needed photographs of the filthy halls, walls, and broken stairs. It was so late, the building was quiet, like the Tombs, Ernest said grimly. They arranged to meet in front of her door. They moved stealthily through the halls. They skulked. The naked lightbulbs were stark illumination. The light accented the streaks on the walls. Shadows made it harder to know where the dirt was and also made the dark spots darker. It was just the way shadows in gangster and romantic movies obscure and enhance the seamy sides of life.
    The joke was that they needed photographs of holes in the floor. Any one of the tenants could have tripped or caught their heel in the ugly recesses, they could have fallen down and broken their nose. They could have fallen down and in a freak accident died because of the way their head hit the floor. If they were drunk, they could have tripped, hit their head, and bled to death on the floor. The tenants could’ve sued the landlord. Elizabeth thought the landlord would’ve wanted to repair things, to avoid being sued. But if everyone’s too poor to get lawyers, or too intimidated, why should the landlord repair anything, or if people like her—whatever that meant—couldn’t even respond when their rent was being raised unfairly, then landlords didn’t have to fix anything. She’d heard about someone who broke his arm falling out of bed to answer the phone, though his bed was on the floor. Accidents happen all the time.
    The ugliest hole was in the deepest shadow. It was too dark in the vestibule to take pictures. The light overhead was the dangling naked bulb that the landlord had recently put in, the one they wanted the tenants to pay extra rent for every month. It was weak. If anyone wanted to mug you in the small vestibule, you’d never see him well enough to identify him. The weak light wasn’t a deterrent in any way. Just the opposite. Ernest and Elizabeth were standing very close to each other in the small entryway. She could feel his anxiety. She liked it and hated it.
    —I need more light, Elizabeth said.
    —You don’t have a good enough view? Ernest asked.
    —I can see the hole with my eyes, but it won’t come out on the photograph.
    —Let me open the door, he said.
    He opened the front door as wide as it would go. Then he studied her with a worried expression.
    —Is that better?
    Is that better? she thought. The way he said, Let me open the door, his perplexity about photographing the