to ask me to clean her house now too,” Kayley said. “Mrs. Babcock recommended me.”
“All right then,” her mother said, as though she didn’t care, and she may not have.
“Another Congregationalist?” Brenda asked this playfully, and Kayley said, “I think so.”
Kayley went into her bedroom; the old wooden door never closed all the way, and as Kayley listened to the women talking—now in muted tones—she understood that this was about sex, her sister didn’t want to have sex with Ed, and Kayley didn’t blame her. He was okay, her brother-in-law, but he was a small man, and had bad teeth, and it made Kayley feel queer in her stomach to think that he wanted it all the time. Kayley sat down on her bed and thought she would never—ever—marry someone like Ed.
And she would never get old like Bertha Babcock, who was a widow, and whose kitchen floor was in black and white tiles, which Mrs. Babcock made Kayley clean with a toothbrush between the tiles each week; Kayley could not stand it. The Babcock house seemed to stink with a loneliness there would be no cure for.
----
—
Brenda came to the door of Kayley’s bedroom; the room was small, and lit now by the overhead light that shone on Kayley’s pink quilt, which lay messily on her bed, and as Brenda slipped on her coat she said to Kayley, “I have to get going, honey, the kids will need their supper.” Brenda lived two towns away. Then she said, “Mom says you’re still not playing the piano.” Brenda asked, conspiratorially, quietly, “Should she sell it, honey?”
Kayley stood up to give her sister a hug goodbye. “No, please don’t let her sell it.” Kayley added, “I’ll play, I promise.”
It was their father who had played the piano, although after Kayley learned to play he said he would rather listen to Kayley. “I love you, and I love the piano, so the combination just sends me to heaven,” their father had said, standing in the doorway of their old living room. That night Kayley sat at the piano, which was an old black upright. But she played badly because she almost never played anymore, and even the simpler sonatas of Mozart were not as easy for her as they had once been. Kayley put the lid down over the keyboard. “I’ll play more,” she said to her mother, who was sitting in the corner smoking a cigarette near the window she had cracked partly open, and her mother did not answer.
Kayley spent the rest of the evening in her bedroom, watching on her computer Martin Luther King, Jr., giving his “I Have a Dream” speech. This was an assignment for Social Studies class, but her father had told her about that speech as well.
----
The Ringrose house also had a loneliness about it. But it was a different flavor than Bertha Babcock’s place, and the house was smaller—it was a Cape on River Road, and it had on the front of it a small board that said 1742—and also somehow cleaner; Kayley didn’t have to work so hard. The first day she was there, Mrs. Ringrose told her she was to clean the logs in the fireplace each week with a cleaning fluid that Kayley was to put in a pail of warm water; the logs were birch, and their bark was a whitish gray. And she was to clean the wooden floors on her hands and knees, Mrs. Ringrose said, and Kayley didn’t care; she was young, it wasn’t the endless kitchen of the Babcock home. In the living room on a table all by itself was a wooden model of the Mayflower. Kayley was not to touch this, Mrs. Ringrose said that first day, holding up her finger. “Do. Not. Touch.” Then she told Kayley how she was a direct descendant of Myles Standish, who had come over on this ship, and if you looked at it—Mrs. Ringrose peered down at the model—you could see where the people stayed, and Kayley murmured, “Oh yeah,” although she thought of her father then, and how, when he was sick in the back room, she would watch the movie with him about Michael Collins and the green tank of the English that
David Rosenfelt
George Packer
Åke Edwardson
Valerie Clay
Robert Charles Wilson
Allison Pang
Howard Engel
Julianna Deering
Eric Walters
MJ Summers