can hope for is to keep Dutchy from being sent back
to the streets.
“It’s my fault,” I say. “I asked Dutchy—I mean Hans—to escort me and the baby up the
stairs.” I look over at Carmine, trying to squirm out of the arms of the policeman
holding him. “I thought . . . maybe we could get a glimpse of that lake. I thought
the baby would like to see it.”
Mrs. Scatcherd glares at me. Dutchy looks at me with surprise. Carmine says, “Yake?”
“And then—Carmine saw the lights.” I point up and look at Carmine, and he throws his
head back and shouts, “Yite!”
The policemen aren’t sure what to do. Licorice Breath lets go of my arm, apparently
persuaded that I’m not going to flee.
Mr. Curran glances at Mrs. Scatcherd, whose expression has ever so slightly softened.
“You are a foolish and headstrong girl,” she says, but her voice has lost its edge,
and I can tell she’s not as angry as she wants to appear. “You flouted my instructions
to stay on the platform. You put the entire group of children at risk, and you have
disgraced yourself. Worse, you have disgraced me. And Mr. Curran,” she adds, turning
toward him. He winces, as if to say Leave me out of it . “But this is not, I suppose, a matter for the police. A civil, not a legal, matter,”
she clarifies.
The fat policeman makes a show of unlocking Dutchy’s handcuffs and clipping them to
his belt. “Sure you don’t want us to take him in, ma’am?”
“Thank you, sir, but Mr. Curran and I will devise a sufficient punishment.”
“As you say.” He touches the brim of his cap, backs away, and turns on his heels.
“Make no mistake,” Mrs. Scatcherd says gravely, staring down her nose at us. “You
will be punished.”
M RS . S CATCHERD RAPS D UTCHY ’ S KNUCKLES SEVERAL TIMES WITH a long wooden ruler, though it seems to me a halfhearted penalty. He barely winces,
then shakes his hands twice in the air and winks at me. Truly, there isn’t much more
she can do. Stripped of family and identity, fed meager rations, consigned to hard
wooden seats until we are to be, as Slobbery Jack suggested, sold into slavery—our
mere existence is punishment enough. Though she threatens to separate the three of
us, in the end she leaves us together—not wanting to infect the others with Dutchy’s
delinquency, she says, and apparently having decided that taking care of Carmine would’ve
extended my punishment to her. She tells us not to speak to or even look at each other.
“If I hear as much as a murmur, so help me . . .” she says, the threat losing air
over our heads like a pricked balloon.
By the time we leave Chicago, it is evening. Carmine sits on my lap with his hands
on the window, face pressed against the glass, gazing out at the streets and buildings,
all lit up. “Yite,” he says softly as the city recedes into the distance. I look out
the window with him. Soon all is dark; it’s impossible to tell where land ends and
the sky begins.
“Get a good night’s rest,” Mrs. Scatcherd calls from the front of the car. “In the
morning you will need to be at your very best. It is vital that you make a good impression.
Your drowsiness might well be construed as laziness.”
“What if nobody wants me?” one boy asks, and the entire car seems to hold its breath.
It is the question on everyone’s mind, the question none of us are sure we want the
answer to.
Mrs. Scatcherd looks down at Mr. Curran as if she’s been waiting for this. “If it
happens that you are not chosen at the first stop, you will have several additional
opportunities. I cannot think of an instance . . .” She pauses and purses her lips.
“It is uncommon for a child to be with us on the return trip to New York.”
“Pardon me, ma’am,” a girl near the front says. “What if I don’t want to go with the
people who choose me?”
“What if they beat us?” a boy cries
Jake Tapper
Michael Lee West
Rose Tremain
Kelley Armstrong
Neal Stephenson, J. Frederick George
Leila Lacey
Hannah Ford
Nancy Thayer
Riley Clifford
Lucinda Riley