than a five-pound sack of sugar,
and a little cold from
spending time on the north front steps,
but Mrs. Bingham
and the reverend
warmed that baby with
blankets and sugar water,
and tender talk,
and the whole of Joyce City came forward with gifts.
I asked my father if we could adopt it,
but he said
we stood about as much chance
of getting that baby
as the wheat stood of growing,
since we couldn’t give the baby anything
not even a ma.
Then he looked at me
sorry as dust.
And to make up for it,
he pulled out a box with the rest of the clothes
Ma had made for our new baby
and told me to drop them by the church if I wanted.
I found the dimes Ma’d been saving,
my earnings from the piano,
inside an envelope,
in the box of baby Franklin’s nighties.
She had kept those dimes to send me
to Panhandle A and M.
To study music.
No point now.
I sat at her piano a long time after I
got back from the church,
imagining
a song for my little brother,
buried in Ma’s arms on a knoll overlooking the
banks of the Beaver,
imagining a song for the Lindbergh baby
stiff in the woods,
imagining a song for this new baby
who
would not be my father’s son.
May 1935
Old Bones
Once
dinosaurs roamed
in Cimarron County.
Bones
showing
in the green shale,
ribs the size of plow blades,
hip bones like crank phones,
and legs running
like fence rails
down to a giant
foot.
A chill shoots up my spine
imagining a dinosaur
slogging out of an Oklahoma sea,
with turtles swimming around its legs.
I can see it sunning itself on the swampy banks,
beyond it a forest of ferns.
It’s almost easy to imagine,
gazing out from our house
at the dust-crushed fields,
easy to imagine filling in all the emptiness with green,
easy to imagine such a beast
brushing an itchy rump against our barn.
But all that remains of it
is bone,
broken and turned to stone,
trapped in the hillside,
this once-upon-a-time real-live dinosaur
who lived,
and fed,
and roamed
like a ridiculous
long-necked cow,
and then fell down and died.
I think for a moment of Joe De La Flor
herding brontosaurus instead of cattle
and I
smile.
I tell my father,
Let’s go to the site
and watch the men chip away with ice picks,
let’s see how they plaster the bones.
Please, before they ship the whole thing to Norman.
I am thinking
that a dinosaur is getting out of Joyce City
a hundred million years too late to
appreciate the trip,
and that I ought to get out before my own
bones turn to stone.
But I keep my thoughts to myself.
My father thinks awhile,
rubbing that spot on his neck.
He looks out the window,
out across the field,
toward the knoll where Ma and the baby lie.
“It’s best to let the dead rest,” he says.
And we stay home.
June 1935
The Dream
Piano, my silent
mother,
I can touch you,
you are cool
and smooth
and willing
to stay with me
stay with me
talk to me.
Uncomplaining
you accept
the cover to your keys
and still
you
make room
for all that I
place
there.
We close our eyes
together
and together find that stillness
like a pond
a pond
when the wind is quiet
and the surface
glazes
gazing unblinking
at the blue sky.
I play songs
that have only the pattern
of my self in them
and you hum along
supporting me.
You are the
companion
to myself.
The mirror
with my mother’s eyes.
July 1935
Midnight Truth
I am so filled with bitterness,
it comes from the dust, it comes
from the silence of my father, it comes
from the absence of Ma.
I could’ve loved her better.
She could’ve loved me, too.
But she’s rock and dust and wind now,
she’s carved stone,
she’s holding my stone brother.
I have given my father so many chances
to understand, to
reach out, to
love me. He once did.
I remember his smile,
his easy talk.
Now there’s nothing easy between us.
Sometimes he takes notice of me,
like coming after me in the dust.
But mostly I’m invisible.
Mostly
Christina Tetreault
Edward Bolme
Cassandra Carr
Janet Gurtler
Alice Duncan
Lacey Diamond
Gene Edwards
Jennifer Scocum
Kate Spofford
Chassie West