Camille and I sat on her bed talking. Through the open window we could hear distant music, a woman singing a love song. Camille rested her head on my shoulder and we listened for a while.
âJessie, are you in love?â
Her curls tickled my nose. I smoothed them down, and wondered what to say. I suppose I was: I had known William since I was a child and couldnât imagine my life without him. But I had never experienced the heady emotions Iâd read about in novels.
Camille prodded me. âItâs not a hard question. Do you have a young man?â
âYes, I do, William Elbourne. Our families expect us to marry.â
She sighed and sounded wistful. âYouâre so lucky not to have any impediments to your love, to know what lies ahead.â
I didnât say anything for a while. William was as familiar to me as the air I breathed, but sometimes I wished for more: a grand passion that would knock the breath out of me.
âAnd you, Camille, do you have someone?â
She hesitated and I thought she was about to tell me something about her obvious crush on Rodin â I did not suspect the seriousness of their affair then â but instead she stood up and walked over to the window. I went to join her and we leaned our elbows on the balcony railing and looked out over Paris, twinkling with lights. It was a clear night and the stars hung in the velvet sky like jewels in a cape. A cool breeze came off the Seine and I shivered; Camille put her arm around my waist.
âWhen shall we tell Rodin that we can work with him?â I said.
âTomorrow weâll go to my old college, the Colarossi. One of the sculptors from Rodinâs atelier attends the morning class. We can give him a message for Rodin.â
Camille pulled me towards the bed. âWhy donât you stay here tonight? Iâm too excited to fall asleep just yet.â
I climbed under the sheets with her. We lay there without speaking for a while, listening to the chanteuse .
âI wonder what the men in Rodinâs studio will make of us,â I said.
She shrugged. âTheyâll just have to put up with it. What can they do? Rodin himself has appointed us.â
I wasnât so sure. At South Ken, the studio where the male sculptors worked sounded like a construction site, the men shouting above the racket, cursing like East End stevedores. They were notorious brutes to women. I didnât imagine the ones at Rodinâs studio would be any different.
âWeâre in for a fight,â I said.
Camille took my hand and squeezed it. âAre you frightened?â
I grinned at her. âWhat, of a bunch of muscle-bound fatheads? Not a bit of it!â
Camille laughed and she grabbed my hand. We lay, our fingers intertwined, our faces close together on the pillow; in the moonlight her eyes were a fathomless black.
â Ma petite anglaise ,â she said. âTogether we can do anything.â
Chapter 9
Villeneuve
September 1929
Louise had aged well. Her hair, an improbable blonde, was shingled in the latest style, her lips carefully painted crimson, and her skin powder-pale with rouged cheeks. She perched on a chaise longue, slim in a chic black jersey dress.
âChanel,â she said when I complimented her, touching the silk scarf at her throat. Hermès, no doubt. âJessie! After all these years, itâs incredible.â Her polite smile died when I told her why I was there. âYou want Camille to come and live with you in England?â I gave her Charpenelâs letter. She took it in manicured hands, nails as red as her mouth.
âAs you can see,â I said. âThe doctor says sheâs well enough to leave the asylum, with the right care.â
Louise shook her lacquered head. âThis is preposterous, out of the question.â
I had been expecting this. âIf you wonât let me take her home with me, she could come and live here. Itâs so
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