hem of a long black coat swishes past, flapping as someone walks swiftly, and another loud jostling noise and the picture changes again. Bare branches and a gray sky but different branches showing through the slats of a green bench. It happens so fast, so unbelievably fast, and then the voices and the sounds of people get loud.
“Someone call nine-one-one!”
“I don’t think he’s breathing.”
“I don’t have my phone. Call nine-one-one!”
“Hello? There’s… uh, yeah, in Cambridge. Yes, Massachusetts.
Je-sus!
Hurry, hurry; they fucking have me on hold. Je-sus, hurry! I can’t believe this. Yes, yes, a man, he’s collapsed and doesn’t seem to be breathing… Norton’s Woods at the corner of Irving and Bryant… Yes, someone is trying CPR. I’ll stay on… I’m staying on. Yes, I mean, I don’t… She wants to know if he’s still not breathing. No, no, he’s not breathing! He’s not moving. He’s not breathing!… I didn’t really see it, just looked over and noticed he was on the ground, suddenly he was on the ground…”
I press pause and get out of the van, and it is cold and very windy as I walk quickly into the terminal. It is small, with restrooms and a sitting area, and an old television is turned on. For a moment I watch Fox News and fast-forward the video on the iPad while Lucy leans against the front desk and pays the landing fee with a credit card. I continue to stare at images of bare branches showing between the slats of green-painted wood, certain now that the headphones ended up under a bench, the camera fixed straight up as the XM radio plays…. “
Dark lady laughed and danced…
” The music is louder because the headphones aren’t pressed against the man’s head, and it seems absurdly incongruous to be listening to Cher.
Voices off camera are urgent and excited, and I hear the sounds of feet and the distant wail of a siren as my niece chats with an older man, a retired fighter pilot now working at Dover part-time as a fixed base operator, he is happy to tell her.
“… In ‘Nam. So that would have been, what, an F-Four?” Lucy chats with him.
“Oh, yeah, and the Tomcat. That was the last one I flew. But Phantoms were still around, you know, as late as the eighties. You build them right and they last like you wouldn’t believe. Look how long the C-Five’s been around. And still some Phantoms in Israel, I think. Maybe Iran. Nowadays those left in the US, we use them for unmanned targets, as drones. One hell of an aircraft. You ever seen one?”
“In Belle Chasse, Louisiana, at the Naval Air Station. Took my helicopter down there to help with Katrina.”
“They’ve been experimenting with hurricane-busting, using Phantoms to fly into the eye.” He nods.
The screen on the iPad goes black. The headphones weren’t recording anymore, and I’m convinced that when the man fell to the ground they must have ended up some distance away under a bench. The motion sensor wasn’t detecting enough activity to prevent it from dozing, and that’s curious to me. How exactly did his headphones get knocked off and end up where they did? Maybe someone kicked them out of the way. It could have been accidental if that’s what happened, perhaps by a person trying to help him, or it could have been deliberate by a person who was covertly recording him, stalking him. I think of the hem of the black coat flapping by, and I fast-forward intermittently, looking for the next images, listening for sounds, but nothing until four-thirty-seven p.m., when the woods and the darkening sky swing wildly, and bare hands loom large and paper crackles as the headphones are placed inside a brown bag, and I hear a voice say, “… Colts all the way.” And another voice says, “Saints are gonna take it. They got…” Then murky darkness and muffled voices, and nothing.
Finding the TV remote on the arm of a couch inside the terminal, I switch the channel to CNN and listen to the news and watch
Lady Brenda
Tom McCaughren
Under the Cover of the Moon (Cobblestone)
Rene Gutteridge
Allyson Simonian
Adam Moon
Julie Johnstone
R. A. Spratt
Tamara Ellis Smith
Nicola Rhodes