the riverbank.
Light gathered over the river, still and still gliding, glanced and darted through the dark branches as if the sun, in its slow descent, had fallen suddenly, then caught itself and now fanned out in a golden siltof light. Jury watched the swan, stationary as a paper cutout pasted against the water. Death seemed far away.
âWhat are you getting at?â Jury asked it again.
âDeep time,â said Macalvie.
Jury looked at him as the waitress set down their dinners, told them to be careful of the plates. They were hot. âWhatâs âdeep timeâ?â
âThe kind of time you think of when you see Old Sarum or Stonehenge. That kind of time. Deep time.â
âWell, that explains it.â Jury separated his fish from the bone.
âLike trying to think in terms of light-years. We canât do it.â
Jury watched him over the plate of succulent trout. Macalvie seemed to be tasting his thoughts, his words, and not his dinner. âThink of the kingâs yard, Jury.â
âI would if I knew what it was. Your fish is getting cold.â
âThe kingâs yard was the measurement between the end of the kingâs nose and the tip of his finger. Right?â He raked his fish off the bone.
âIf you say so.â The trout was delicious.
âIf you think of this measurement in terms of âdeep time,â our civilization would disappear in a single fingernail filing.â He prodded his fish with his fork.
âThen letâs hope the king doesnât get a manicure.â
Macalvie gave him a dark look. âIâm serious.â Ignoring his plate, he gazed at the river. âMovement in time is deceptive, Jury. Because weâre in the wrong time frame. You know how I feel? As if Iâm accelerating at a hundred per and holding in my hand one of those time-release photos of . . . I donât know . . . the petals of a flower opening slowly as I watch. Itâs jarring. Did you ever think there might be two worlds moving along, side by side, but at different times?â
Jury smiled. âOnly when Iâm with you, Macalvie.â
âVery funny. Stonehenge, Sarum, Aveburyâthey make me feel that. Everything we do now is speeded up so much, the time release working in the opposite way.â Macalvie separated the long bone from the fish, looked at it. âI like the patience of science, the way they can repeat experiments ad infinitum. Like Denny Dench.â Dench was a forensic anthropologist.
Jury thought it was probably the fishbone that reminded him. The only time Jury had met this brilliant forensics man, Dench had been lining up the bones of a quail heâd been eating.
âWhat do you think is the most potent motive for murder, Jury? Love? Greed?â
âRevenge.â Jury was surprised that his answer was so emphatic. âThe Greeks knew that.â
The two of them sat now in silence, turned toward the window and the river beyond. The rim of the sun, vapor-orange, showed just at the edge of the trees. The sky was nearly purple. âItâs rainbow mechanics,â said Macalvie after a time. âThere appear to be colors, separate bows of color, but they really just bleed into one another. If theyâre there at all.â He kept looking out of the window, at the sky. âShe was only thirty. At least if you live to fifty or sixty youâve had a chance to work things out. Not that youâve taken advantage of it, but at least you had the chance. You had a proper go.â
âA proper go,â thought Jury, watching the swan under the dripping boughs on the other side of the river seem to drift, propelled by the motion of the water. â âFondly I watched her move here and move there . . . â â
Macalvie raised an eyebrow in question.
Jury hadnât even realized heâd said it aloud. âItâs an old poem, or an old
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