sexy than his startling good looks.
Mrs. Wellhaven, a pinch-faced woman of an indeterminate age well above sixty, called the children up onto the stage, and the workers had to stop to let the kids file onto the triple-decker stand that had been built for them.
âHi, Daddy!â Ace called.
âYes,â Mrs. Wellhaven said, lips pursed, âletâs deal with that first off, shall we? Please do not call out the names of people you know as you come on the stage. Not during rehearsal, and God knows, not during the live production.â
Ace scowled. Morgan glanced at Nate. Fatherâs and childâs expressions were identically mutinous.
Morgan shivered. In the final analysis could there beanything more sexy than a man who would protect his own, no matter what?
Still, the choir director had her job to do, and since Nate looked as if maybe he was going to go have a word with her, Morgan intercepted him.
âHi. How are you?â
Though maybe it was just an excuse.
In all likelihood Nate was not going to berate the choir director.
âWho does she think she is telling my kid she canât say hi to me?â he muttered, mutiny still written all over his handsome face.
Or maybe he had been.
âYou have to admit it might be a little chaotic if all the kids started calling greetings to their parents, grandparents and younger siblings on national live television,â Morgan pointed out diplomatically.
He looked at her as if he had just noticed her. When Nate gave a woman his full attention, she didnât have a chance. That probably included the crotchety choir director.
âAh, Miss McGuire, donât you ever get tired of being right all the time?â he asked her, folding his arms over the massiveness of his chest.
She had rather hoped they were past the Miss McGuire stage. âMorgan,â she corrected him.
Mrs. Wellhaven cleared her throat, tipped her glasses and leveled a look at them. âExcuse me. We are trying to concentrate here.â She turned back to the children. âI am Mrs. Wellhaven.â Then she muttered, tapping her baton sternly, âThe brains of the outfit.â
Nate guffawed. Morgan giggled, at least in partbecause she had enjoyed his genuine snort of laughter so much.
Mrs. Wellhaven sent them a look, raised her baton and swung it down. The children watched her in silent awe. âThat means begin!â
âSheâs a dragon,â Nate whispered.
The children launched, a little unsteadily, into the opening number, âAngel Lost.â
âWhat are you doing here?â Morgan whispered to Nate. âI thought you made it clear you werenât in favor of The Christmas Angel .â
âOr shopping,â he reminded her sourly. âI keep finding myself in these situations that I really donât want to be in.â
âDonât say that like itâs my fault!â
âIsnât it?â
She felt ruffled by the accusation, until she looked at him more closely and realized he was teasing her.
Something warm unfolded in her.
âI didnât know you were a carpenter, too,â she said, trying to fight the desire to know everything about him. And losing.
He snorted. âIâm no carpenter, but I know my way around tools. I was raised with self-sufficiency. We never bought anything we could make ourselves when I was a kid. And we never hired anybody to do anything, either. What we needed we figured out how to make or we did without.â
Though Morgan thought he had been talking very quietly, and she loved how much he had revealed about himself, Mrs. Wellhaven turned and gave them a quelling look.
Aceâs voice rose, more croaky than usual, loudlyenthusiastic, above her peers. âLost annngelll, who will find you? Where arrrrrre youââ
Mrs. Wellhavenâs head swung back around. âYou! Little redheaded girl! Could you sing just a little more quietly?â
âIs she
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