Papa.â
âGood evening, Albert. Did you have a good trip?â
âYes, thank you. Good evening, Herr Burkhardt.â
The young man was very cool and correct. He escorted his mother to the table. Dinner was served. The conversation was almost entirely between Burkhardt and the lady of the house. They spoke of music.
âMay I ask,â said Burkhardt, turning to Albert, âwhat kind of music you especially like? Though I must admit that Iâve lost touch, the modern composers are little more than names to me.â
The boy looked up politely and replied. âI only know the most modern composers from hearsay myself. I donât belong to any school, I like any kind of music if itâs good. Especially Bach, Gluck, and Beethoven.â
âOh, the classics. In our day the only one of those that we knew really well was Beethoven. We had scarcely heard of Gluck. You see, we were all fervent Wagnerians. Johann, do you remember when we heard Tristan for the first time? We were carried away!â
Veraguth smiled glumly.
âOld hat!â he cried somewhat harshly. âWagner is finished. Isnât he, Albert?â
âOh, not at all. His operas are performed everywhere. But I have no opinion on the subject.â
âYou donât care for Wagner?â
âI donât know him well enough, Herr Burkhardt. I seldom go to the opera. Iâm interested only in pure music, not in opera.â
âWell, what about the overture to Meistersinger! You must know that. You donât care for that either?â
Albert bit his lips and reflected a moment before answering. âI really have no opinion. Itâsâhow shall I put itâromantic music, it just doesnât interest me.â
Veraguth scowled. âWill you have some wine?â he asked by way of a diversion.
âYes, please.â
âAnd you, Albert? A glass of red wine?â
âThank you, Papa, Iâd rather not.â
âHave you become a teetotaler?â
âNo, not at all. But wine doesnât agree with me; Iâd rather not.â
âVery well. But you will drink with me, Otto. Prosit!â
He drained half his glass in one quick gulp.
Albert continued to act the part of a well-behaved young man who has very definite opinions but keeps them modestly to himself, leaving the talking to his elders, not out of eagerness to learn but because he wants to be left alone. The role did not become him, and soon he himself felt quite ill at ease. As usual, he ignored his father as much as possible, wishing to give him no occasion for argument.
Engaged in observing, Burkhardt was silent, so that when the conversation languished in frost, there was no one to revive it. They hurried through the meal, served one another with elaborate politeness, toyed awkwardly with the dessert spoons, and waited in pathetic desolation for the moment when they might leave the table. It was only then that Otto Burkhardt became fully aware of the loneliness and hopeless coldness that had descended on his friendâs marriage and life. He glanced toward him, saw him staring in listless gloom at his food, which he scarcely touched, and meeting his eyes for an instant, surprised a look of supplication and of shame at the disclosure of his state.
It was a look of affliction; the loveless silence, the embarrassed coldness and humorless stiffness of this dinner table seemed to proclaim Veraguthâs shame aloud. At that moment Otto felt that every additional day he spent at Rosshalde would merely prolong his humiliating role as spectator and the torment of his friend, who by fighting down his loathing was barely able to keep up appearances, but could no longer summon up the strength and spirit to conceal his misery from the onlooker. It was time for him to leave.
No sooner had Frau Veraguth arisen than her husband pushed back his chair. âIâm so tired I must ask you to excuse me. No, no, stay
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