standing only a few feet from him, with a serious expression, when he turned and gave a start. He had no idea who she was.
“Why are you watching my daughter? And why is she in your drawing?” Ophélie had instantly made the connection between the artist and the sketches Pip had brought home. She had come down to the public beach to find Pip and see what she was doing on her lengthy forays. And she didn't know how or why, but she knew this man was part of it somehow, and had no doubt once she saw the child and the dog in his painting.
“You have a lovely daughter, Mrs. Mackenzie. You must be very proud of her,” he said calmly. More calmly than he felt actually. Her intense stare gave him considerable discomfort. He could almost sense what she was thinking, and wanted to reassure her, but he was afraid that doing so might arouse even darker suspicions.
“Are you aware that she is only eleven years old?” It would have been hard to mistake her for any older. If anything, she looked younger. But Ophélie couldn't imagine what this man wanted with her, and suspected him instantly of evil intentions. His seemingly innocent painting could have been, in her mind at least, simply a cover for something far more lurid. He could have been a kidnapper, or worse, and Pip was far too innocent to suspect that.
“Yes,” he said quietly, “she told me.”
“Why have you been talking to her?… and drawing with her?” He wanted to tell her that her daughter was desperately lonely, but didn't. By then, Pip had seen her mother standing, talking to him, and she approached quickly, with a handful of seashells. She searched her mother's eyes instantly to see if she was in trouble. And she realized almost as quickly that she wasn't, but Matt was. Her mother looked frightened and angry, and Pip wanted instantly to protect him.
“Mom, this is Matt,” Pip said, as though trying to give some formality and respectability to the situation with an introduction.
“Matthew Bowles,” he said, extending a hand to Ophélie, but she didn't take it, instead she looked directly at her daughter, with fire dancing in the amber eyes. Pip knew what that meant. It was rare for her mother to get angry at her, particularly lately. But now she was.
“I've told you never to talk to strangers. Never! Do you understand me?” And then she turned to Matt, with her eyes blazing. “There are names for this kind of thing,” she said to him, “and none of them are pretty. You have no business picking up a child on the beach and befriending her, using your supposed artwork as a ruse to lure her. If you come near her again, I'll call the police. And I mean that!” she shot at him, and he looked wounded. Pip looked outraged, and was quick to defend him.
“He's my friend! All we did was draw together. He didn't try to take me anywhere. I came down the beach to see him.” But Ophélie knew better, or thought she did. She knew that a man like him would lull Pip into feeling comfortable with him, and then God only knew what he would do to her, or where he would take her.
“You will not come down here again, do you hear me? Tu entends? Je t'interdis! ” I forbid you. In her fury, her mother tongue betrayed her. She looked utterly Gallic as she raged at both of them. Her anger was born of fear, and Matt understood that.
“Your mother is right, Pip. You shouldn't talk to strangers.” And then he turned to her mother. “I apologize. I didn't mean to upset you. I assure you, it has been an entirely respectable exchange between us. I understand your concerns, I have children who are only slightly older.”
“And where are they?” Ophélie shot back at him, suspicious of him. She did not believe him.
“In New Zealand,” Pip filled in for him, which didn't help the situation. Matt could see she didn't believe them.
“I don't know who you are, or why you've been speaking to my daughter, but I hope that you understand I'm serious. I'll call the
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