greenery,
hold on for dear life
and watch the sea storm rage,
hoping for a tiny whale to appear.
I want to see her plunging forward
through the troughs,
tunneling under the foam and spindrift
on her annual, thousand-mile journey.
Shoveling Snow with Buddha
In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over the mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word
for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm and slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?
But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.
All morning long we work side by side,
me with my commentary
and he inside the generous pocket of his silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.
After this, he asks,
can we go inside and play cards?
Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck,
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.
Snow
I cannot help noticing how this slow Monk solo
seems to go somehow
with the snow
that is coming down this morning,
how the notes and the spaces accompany
its easy falling
on the geometry of the ground,
on the flagstone path,
the slanted roof,
and the angles of the split-rail fence
as if he had imagined a winter scene
as he sat at the piano
late one night at the Five Spot
playing “Ruby, My Dear.”
Then again, it’s the kind of song
that would go easily with rain
or a tumult of leaves,
and for that matter it’s a snow
that could attend
an adagio for strings,
the best of the Ronettes,
or George Thorogood and the Destroyers.
It falls so indifferently
into the spacious white parlor of the world,
if I were sitting here reading
in silence,
reading the morning paper
or reading
Being and Nothingness
,
not even letting the spoon
touch the inside of the cup,
I have a feeling
the snow would even go perfectly with that.
Japan
Today I pass the time reading
a favorite haiku,
saying the few words over and over.
It feels like eating
the same small, perfect grape
again and again.
I walk through the house reciting it
and leave its letters falling
through the air of every room.
I stand by the big silence of the piano and say it.
I say it in front of a painting of the sea.
I tap out its rhythm on an empty shelf.
I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.
And when the dog looks up at me,
I kneel down on the floor
and whisper it into each of his long white ears.
It’s the one about the one-ton
temple bell
with the moth sleeping on its surface,
and every time I say it, I feel the excruciating
pressure of the moth
on the surface of the iron bell.
When I say it at the window,
the
hold on for dear life
and watch the sea storm rage,
hoping for a tiny whale to appear.
I want to see her plunging forward
through the troughs,
tunneling under the foam and spindrift
on her annual, thousand-mile journey.
Shoveling Snow with Buddha
In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over the mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.
Sitting is more his speed, if that is the word
for what he does, or does not do.
Even the season is wrong for him.
In all his manifestations, is it not warm and slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?
But here we are, working our way down the driveway,
one shovelful at a time.
We toss the light powder into the clear air.
We feel the cold mist on our faces.
And with every heave we disappear
and become lost to each other
in these sudden clouds of our own making,
these fountain-bursts of snow.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.
All morning long we work side by side,
me with my commentary
and he inside the generous pocket of his silence,
until the hour is nearly noon
and the snow is piled high all around us;
then, I hear him speak.
After this, he asks,
can we go inside and play cards?
Certainly, I reply, and I will heat some milk
and bring cups of hot chocolate to the table
while you shuffle the deck,
and our boots stand dripping by the door.
Aaah, says the Buddha, lifting his eyes
and leaning for a moment on his shovel
before he drives the thin blade again
deep into the glittering white snow.
Snow
I cannot help noticing how this slow Monk solo
seems to go somehow
with the snow
that is coming down this morning,
how the notes and the spaces accompany
its easy falling
on the geometry of the ground,
on the flagstone path,
the slanted roof,
and the angles of the split-rail fence
as if he had imagined a winter scene
as he sat at the piano
late one night at the Five Spot
playing “Ruby, My Dear.”
Then again, it’s the kind of song
that would go easily with rain
or a tumult of leaves,
and for that matter it’s a snow
that could attend
an adagio for strings,
the best of the Ronettes,
or George Thorogood and the Destroyers.
It falls so indifferently
into the spacious white parlor of the world,
if I were sitting here reading
in silence,
reading the morning paper
or reading
Being and Nothingness
,
not even letting the spoon
touch the inside of the cup,
I have a feeling
the snow would even go perfectly with that.
Japan
Today I pass the time reading
a favorite haiku,
saying the few words over and over.
It feels like eating
the same small, perfect grape
again and again.
I walk through the house reciting it
and leave its letters falling
through the air of every room.
I stand by the big silence of the piano and say it.
I say it in front of a painting of the sea.
I tap out its rhythm on an empty shelf.
I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.
And when the dog looks up at me,
I kneel down on the floor
and whisper it into each of his long white ears.
It’s the one about the one-ton
temple bell
with the moth sleeping on its surface,
and every time I say it, I feel the excruciating
pressure of the moth
on the surface of the iron bell.
When I say it at the window,
the
Similar Books
