Seize the Night by Dean Koontz

revealed the entity before me. It had no fangs, no eyes full of crackling hellfire, but it was composed of a substance more solid than ectoplasm. It wore chinos, what appeared to be a yellow polo-style shirt, and a pecan-brown sports jacket. Indeed, it wasn’t something from beyond the grave but something from the Sears men’s department.
    He was about thirty years old, maybe five feet eight, as stocky as a bull standing on its hind feet in a pair of Nikes. With close-cropped black hair, eyes as mad-yellow as those of a hyena, and thick red lips, he seemed too formidable to have glided soundlessly through the seamless dark. His teeth were as small as kernels of white corn, and his smile was a cold side dish, which he served in a generous portion as he swung the club that he was holding.
    Fortunately, it was a length of two-by-four rather than an iron pipe, and he was too close to execute a bone-shattering arc. Instead of recoiling farther at the sight of the club, I stepped into the guy in an attempt to minimize the impact, simultaneously trying to bring the Glock to bear on him, figuring that the very sight of it would cause him to retreat.
    He swung the two-by-four not from overhead, not like a woodsman wielding an ax, but low from his side, like a golfer teeing off. It grazed my left flank and caught me under the arm. The blow wasn’t devastating, but it was unquestionably more painful than Japanese-massage therapy. The flashlight flew out of my hand, tumbling end over end.
    His yellow eyes flared. I knew that he had registered the pistol in my right hand and that it was an unpleasant surprise for him.
    The tumbling flashlight struck the farther wall, bounced to the floor without shattering the lens, and revolved like the pointer in a game of spin the bottle, casting luminous spirals over the glossy blue walls.
    Even as the flashlight clattered to the floor, my smiling assailant was winding up to take another swing, handling the two-by-four like a baseball bat this time.
    Rocked by the first blow, I warned him: “Don’t.”
    His yellow eyes revealed no fear of the gun, and the expression on his broad blunt face was pitiless fury.
    I squeezed off a shot as I twisted out of his way. The club cut the air with sufficient force to have driven shards of bone and splinters of wood into my left temporal lobe if I’d not been able to dodge it, while the 9-millimeter slug ricocheted noisily but harmlessly from wall to wall of the concrete passage.
    Instead of pulling the blow, he followed all the way through, allowing the momentum of the club to swivel him three hundred and sixty degrees. As the spinning flashlight slowed, the attacker’s distorted silhouette pumped around the corridor, around and around, pumped like a carousel horse, and out of his own galloping shadow, he rushed at me when I stumbled backward against the featureless wall opposite the doors.
    He was as condensed as a cube of squashed automobiles from a salvage-yard compactor, eyes bright but without depth, face knotted and florid with rage, smile fixed and humorless. He appeared to have been born, raised, educated, and groomed for one purpose: hammering me to pulp.
    I did not like this man.
    Yet I didn’t want to kill him. As I said before, I’m not big on killing. I surf, I read poetry, I do some writing of my own, and I like to think of myself as a sort of Renaissance man. We Renaissance men generally don’t resort to bloodshed as the first and easiest solution to a problem. We think. We ponder. We brood. We weigh the possible effects and analyze the complex moral consequences of our actions, preferring to use persuasion and negotiation instead of violence, hopeful that each confrontation will culminate in handshakes and mutual respect if not always in hugs and dinner dates.
    He swung the two-by-four.
    I ducked, slipped sideways.
    The club cracked so hard against the wall that I could almost hear the low vibrations traveling the length of the wood. The