latest style, however extreme.”
“They’re usually masked in the British newscasts.”
“I imagine it’s arranged that way out of deference to American taste,” I confessed. “Actually, not very many do mask.”
The second policeman considered that.“Girls going down the street bare from the neck up.” It was not clear whether he viewed the prospect with relish or moral distaste. Likely both.
“A few members keep trying to persuade Parliament to enact a law forbidding all masking,” I continued, talking perhaps a bit too much.
The second policeman shook his head. “What an idea. You know, masks are a pretty good thing, brother. Couple of years more and I’m going to make my wife wear hers around the house.”
The first policeman shrugged. “If women were to stop wearing masks, in six weeks you wouldn’t know the difference. You get used to anything, if enough people do or don’t do it.”
I agreed, rather regretfully, and left them. I turned north on Broadway (old Tenth Avenue, I believe) and walked rapidly until I was beyond Inferno. Passing such an area of undecontaminated radioactivity always makes a person queasy. I thanked God there weren’t any such in England, as yet.
The street was almost empty, though I was accosted by a couple of beggars with faces tunneled by H-bomb scars, whether real or of make-up putty I couldn’t tell. A fat woman held out a baby with webbed fingers and toes. I told myself it would have been deformed anyway and that she was only capitalizing on our fear of bomb-induced mutations. Still, I gave her a seven-and-a-half-cent piece. Her mask made me feel I was paying tribute to an African fetish.
“May all your children be blessed with one head and two eyes, sir.”
“Thanks,” I said, shuddering, and hurried past her.
“…There’s only trash behind the mask, so turn your head, stick to your task: Stay away, stay away—from—the—girls!”
This last was the end of an anti-sex song being sung by some religionists half a block from the circle-and-cross insignia of a femalist temple. They reminded me only faintly of our small tribe of British monastics. Above their heads was a jumble of billboards advertising predigested foods, wrestling instruction, radio handles and the like.
I stared at the hysterical slogans with disagreeable fascination. Since the female face and form have been banned on American signs, the very letters of the advertiser’s alphabet have begun to crawl with sex—the fat-bellied, big-breasted capital B, the lascivious double O. However, I reminded myself, it is chiefly the mask that so strangely accents sex in America.
A British anthropologist has pointed out that, while it took more than five thousand years to shift the chief point of sexual interest from the hips to the breasts, the next transition, to the face, has taken less than fifty years. Comparing the American style with Moslem tradition is not valid; Moslem women are compelled to wear veils, the purpose of which is to make a husband’s property private, while American women have only the compulsion of fashion and use masks to create mystery.
Theory aside, the actual origins of the trend are to be found in the antiradiation clothing of World War III, which led to masked wrestling, now a fantastically popular sport, and that in turn led to the current female fashion. Only a wild style at first, masks quickly became as necessary as brassieres and lipsticks had been earlier in the century.
I finally realized that I was not speculating about masks in general, but about what lay behind one in particular. That’s the devil of the things; you’re never sure whether a girl is heightening loveliness or hiding ugliness. I pictured a cool, pretty face in which fear showed only in widened eyes. Then I remembered her blonde hair, rich against the blackness of the satin mask. She’d told me to come at the twenty-second hour—10 p . m .
I climbed to my apartment near the British Consulate; the elevator
“They’re usually masked in the British newscasts.”
“I imagine it’s arranged that way out of deference to American taste,” I confessed. “Actually, not very many do mask.”
The second policeman considered that.“Girls going down the street bare from the neck up.” It was not clear whether he viewed the prospect with relish or moral distaste. Likely both.
“A few members keep trying to persuade Parliament to enact a law forbidding all masking,” I continued, talking perhaps a bit too much.
The second policeman shook his head. “What an idea. You know, masks are a pretty good thing, brother. Couple of years more and I’m going to make my wife wear hers around the house.”
The first policeman shrugged. “If women were to stop wearing masks, in six weeks you wouldn’t know the difference. You get used to anything, if enough people do or don’t do it.”
I agreed, rather regretfully, and left them. I turned north on Broadway (old Tenth Avenue, I believe) and walked rapidly until I was beyond Inferno. Passing such an area of undecontaminated radioactivity always makes a person queasy. I thanked God there weren’t any such in England, as yet.
The street was almost empty, though I was accosted by a couple of beggars with faces tunneled by H-bomb scars, whether real or of make-up putty I couldn’t tell. A fat woman held out a baby with webbed fingers and toes. I told myself it would have been deformed anyway and that she was only capitalizing on our fear of bomb-induced mutations. Still, I gave her a seven-and-a-half-cent piece. Her mask made me feel I was paying tribute to an African fetish.
“May all your children be blessed with one head and two eyes, sir.”
“Thanks,” I said, shuddering, and hurried past her.
“…There’s only trash behind the mask, so turn your head, stick to your task: Stay away, stay away—from—the—girls!”
This last was the end of an anti-sex song being sung by some religionists half a block from the circle-and-cross insignia of a femalist temple. They reminded me only faintly of our small tribe of British monastics. Above their heads was a jumble of billboards advertising predigested foods, wrestling instruction, radio handles and the like.
I stared at the hysterical slogans with disagreeable fascination. Since the female face and form have been banned on American signs, the very letters of the advertiser’s alphabet have begun to crawl with sex—the fat-bellied, big-breasted capital B, the lascivious double O. However, I reminded myself, it is chiefly the mask that so strangely accents sex in America.
A British anthropologist has pointed out that, while it took more than five thousand years to shift the chief point of sexual interest from the hips to the breasts, the next transition, to the face, has taken less than fifty years. Comparing the American style with Moslem tradition is not valid; Moslem women are compelled to wear veils, the purpose of which is to make a husband’s property private, while American women have only the compulsion of fashion and use masks to create mystery.
Theory aside, the actual origins of the trend are to be found in the antiradiation clothing of World War III, which led to masked wrestling, now a fantastically popular sport, and that in turn led to the current female fashion. Only a wild style at first, masks quickly became as necessary as brassieres and lipsticks had been earlier in the century.
I finally realized that I was not speculating about masks in general, but about what lay behind one in particular. That’s the devil of the things; you’re never sure whether a girl is heightening loveliness or hiding ugliness. I pictured a cool, pretty face in which fear showed only in widened eyes. Then I remembered her blonde hair, rich against the blackness of the satin mask. She’d told me to come at the twenty-second hour—10 p . m .
I climbed to my apartment near the British Consulate; the elevator
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