and that hole was closing.
C HAPTER S EVEN
Alicia Walker glanced over her shoulder. Two men were about eighty feet behind her and matching her pace. She ducked into an alley and sprinted fifty feet to an overflowing Dumpster, crouching low in the shadows. She could feel the pressure of the government-issue Glock pistol against her back. It felt good.
The two men walked past the alley entrance without a glance. She waited a few minutes, then moved through the garbage-strewn lane back to the street. It was dark, the only light coming from a streetlamp halfway down the block. She looked both directions, her eyes taking in every detail. The street front was lined with retail shops: a butcher, a bookseller, a tailor and a small deli stood on the far side of road. Her eyes saw into every doorway, every shadow, every niche. Nothing. She ventured out from the alley until she could see into the recessed doorways on her side of the street. There was no sign of the men. She resumed walking north on the street, her senses on high alert.
Some people would call her actions paranoia. She called it common sense. And not just because she lived in New York.
Alicia Walker was undercover FBI, working in the corporate fraud division. She was trained to notice the small details and to recognize and eliminate danger before it eliminated her. Six years with the Bureau and so far she had managed to sidestep the violence that so often plagued undercover work. She had pulled her weapon three times, but had never fired. That was something she was extremely proud of. Most of her working days were spent in posh offices with white-collar criminals, amassing enough evidence for the boys from the J. Edgar Hoover Building to swoop in and arrest the major players before they could pull their scam and close up shop. She had been successful many times, but this one hadnât gone well. Not that it was really her fault; she had come in at the last moment, too late to stop the con from going down.
Six weeks ago, Alicia had met Tony Stevens at a SoHo art gallery featuring a new Manhattan artist. He was attractive and charming, and from minute one she had suspected he was involved in some sort of con. The signs were all there. He was more than willing to talk about himself, but reluctant to reveal too much about NewPro, even though she showed a real interest in his company. She didnât push too hard, but spent some time going over the companyâs SEC application. Bells started to go off immediately. She dug deeper and after two weeks was convinced that Tony Stevens and his cronies were not interested in going public, but were setting up their victims for a big crash. She kept in touch with him, as a new friend, not a business associate. He revealed precious little to her, but with the scraps she managed to pry loose, she was positive NewPro was a scam.
Twelve days ago her suspicions had proved correct. Overnight, NewPro had vanished. The front doors were locked and the offices inside stripped bare. Any paper trail at the New Jersey manufacturing plant was gone, and the key players, including Tony Stevens, had disappeared. With them, they took almost ten million dollars of their investorsâ money. She was disappointed but not surprised; she knew the scam was wrapping up when she got involved. Another week, maybe two, she might have had enough on Tony Stevens to get a positive ID. From things he had said, she suspected he was from Stockholm, but she had no idea what his real name was. The FBI and Interpol computers had no record of anyone matching his description, and that worried her more than anything else. Usually by the time a con artist was scamming his victims for ten million dollars, he was in a criminal database somewhere. But not Tony Stevens. This meant whoever was running the operation was bringing in partners with no prior arrest records. That made them tough, if not impossible, to find.
Alicia reached her apartment on West Twentieth
Dan Rix
Robyn Carr
Richard Ford
Nina Bangs
E. D. Baker
Verity Rayne
Courtney C. Stevens
Maeve Binchy
Linda Creel
Greg F. Gifune