Shroud
sandwiches and paper cups of coffee; I can still see her, in her sandals and no-colour knitted dress, her hair in fat braids, coming down the basement steps in that odd, elephantine way that she had, turning sideways and lowering one broad foot on to each step and then bringing the second down to join it, her chin tucked into her fishpale throat and her gaze fixed on whatever it was she was carrying. She was living on the Lower East Side—a placename that in those days still sounded as suggestively exotic to my ears as Samarkand or the Isles of the Blest—with a plumber, a militant Pole of simian aspect with a revolutionist’s wire-brush moustache, who was said to beat her. She would not talk about him, even when she had left him and had come to live with me in my basement, bringing a bottle of bourbon as a moving-in present and one not very large suitcase containing everything she possessed. Late one night the Pole turned up in the street outside, drunk and in a tearful rage and calling out her name, and banged on the door and would have kicked in the window had it not been barred. I wanted to get up and chase him away—even with my bad leg I did not doubt I would be well able to see off the little ape—but Magda prevented me.
    She did not like to talk about herself or her life; when she did mention some event from the past her voice would take on a tinge of puzzlement, as if what had happened had happened to someone else and she could not understand how she knew so many of the details. Nor did she care particularly to hear about my life before we had met. Others, even the brashest among our acquaintances, regarded me with a kind of wondering respect, with a holy reverence, almost: I was the real thing, a genuine survivor, who had come walking into their midst out of the fire and furnace smoke of the European catastrophe, like Frankenstein’s monster staggering out of the burning mill. To Magda, though, herself a survivor, I was simply Vander—she did not care to call me Axel; it sounded, she said, like the name of a guard dog—a man much like any other, more volatile, perhaps, than the ones she was used to, potentially more violent even than her Pole, but still no more than a man. She did not remark particularly my dead leg or my blind eye, and accepted without comment the bragging lies I told her as to how I had come by them—my stand against a rampaging mob, the blow I got from a storm trooper’s rifle butt—lies I had rehearsed so often that I had come almost to believe them myself. Early one sweltering morning, though, I woke out of a doze to find her leaning over me—our bed was a mattress on the floor—with her large, soft face propped on a hand, contemplating me in big-eyed, solemn silence. For a minute neither of us stirred, then she touched a fingertip to the pulpy lid of my bad eye and murmured, “And I only am escaped alone to tell thee,” and the bristles stood up on the back of my neck, as if it were an oracle that had spoken. Who would have expected Magda, big, slow, flat-footed Magda, to come out with something so grave, so sonorous, so biblically apt to both our states?
    My life with her was a special way of being alone. It was like living on intimate terms with a creature from another species; she was to me as remote and inaccessible as some large, harmless herbivore. At times I thought there was no mystery to her at all, that she was as blank as she seemed, then at others I grew convinced that this appearance of unmoving calm that she displayed was a mask she had fashioned for herself behind which she too must be locked in frantic strategies of calculation and control, practising, like me, for a part she did not believe she would ever be able to fill convincingly. In the state of mutual incomprehension that was our life together we were forever surprising each other. She was alarmingly well read, as in the early days I had frequent and shame-making cause to discover. Already I had made myself

Similar Books

Rifles for Watie

Harold Keith

Two Notorious Dukes

Lyndsey Norton

Caprice

Doris Pilkington Garimara

Sleeper Cell Super Boxset

Roger Hayden, James Hunt

Natasha's Legacy

Heather Greenis