left hand at two drawings of naked skulls side by side on his drawing board. “A black-and-white pencil sketch won’t do it, sir. James and Jeb will have different faces, but the sameness of the medium will diminish the differences and make the similarities overwhelming. They’re very much the same type, what I call a Tony Curtis face. I have to play up each man’s individuality! D’you get my drift, sir? Tony Curtis is a type.”
“Make it Abe, Hank. You’re as much a professional in your line as I am in mine, so formality’s not necessary.” What he couldn’t say was that he was beginning to realize their incredible luck in finding Hank Jones, clearly too good for the job’s pay and status. Not only was he an unusually gifted artist, he was also a young man who thought. In September he’d have to pow-wow with Carmine and Gus, then they could go to Silvestri to have Hank’s status and pay improved. “What do you suggest?” he asked.
“That I paint them rather than draw them,” said Hank eagerly. “Oh, not in oils—acrylic will do, it dries at once. Each Doe would have his natural color of hair, whatever the fashionable cut was that year, and the right skin tones. The eyes I’d do as blue, like Jeb’s.” Hank drew a breath. “I know speed is a part of my job description, but honest, I’m fast, even in paint. If you had a color portrait of Jeb and James at least, people’s memories would trigger better, I know they would. But it does mean a few extra days.”
Abe patted the artist on the back, no mean accolade. “Right on, Hank! That’s a brilliant idea.” He smiled, his grey eyes crinkling at their corners. “If you have a thoroughbred in the stables, don’t hitch him to a wagon. Use your talents, that’s what they’re there for. Take as long as it takes.”
“For Jeb, by Friday,” said Hank, delighted.
On the dungeon front, things were gloomier. Liam and Tony were wading through possible sites for a dungeon, but after Abe’s visit to Busquash Manor, they crossed it off their list; those gargantuan roofs hid not underground cells but a full-sized theatrical stage, complete with a trap room and pit below stage level. The whole area was in use, the acoustics superb—no, Busquash Manor was not a possible. When Kurt von Fahlendorf had been kidnapped they had ransacked Holloman County for a soundproof cellar, which made this new quest much easier. Most structures were listed, had been inspected then, and could be inspected again. The chamber where von Fahlendorf had languished had been filled in since. No local builder had installed a soundproof studio anywhere, and what new cellars had come into existence were just ordinary basements. War relics like gun emplacements hadn’t changed, and theaters in a try-out city like Holloman containing three repertory companies and a faculty of drama were, like Busquash Manor, in constant use.
“This sucks,” said Tony to Abe.
“It’s here somewhere,” Abe said stubbornly.
“Needles in haystacks,” said Liam, as disgruntled as Tony.
“Paint on, Hank Jones,” said Abe under his breath.
SATURDAY, AUGUST 9, 1969
I vy Ramsbottom had invited Delia to “a late afternoon and entire evening of entertainment” at Busquash Manor, and Delia was bewildered. The invitation had come out of the blue last Thursday, which didn’t give a girl much time to sort out what to wear when the hosts were Rha Tanais and Rufus Ingham. Oddly, it had been Jess Wainfleet who explained it yesterday over lunch at the Lobster Pot.
“No, Delia, you mustn’t decline,” Jess had said.
“I think I must. I don’t know Ivy’s brother and his friend from a bar of soap—if I came, it would look as if my reason for doing so was vulgar curiosity.”
“Believe me, it wouldn’t. The short notice is unusual, except that Ivy tells me the new musical Rha’s designing is hopeless. As they’re party animals, Rha and Rufus throw a party on the slightest of excuses, and
“Make it Abe, Hank. You’re as much a professional in your line as I am in mine, so formality’s not necessary.” What he couldn’t say was that he was beginning to realize their incredible luck in finding Hank Jones, clearly too good for the job’s pay and status. Not only was he an unusually gifted artist, he was also a young man who thought. In September he’d have to pow-wow with Carmine and Gus, then they could go to Silvestri to have Hank’s status and pay improved. “What do you suggest?” he asked.
“That I paint them rather than draw them,” said Hank eagerly. “Oh, not in oils—acrylic will do, it dries at once. Each Doe would have his natural color of hair, whatever the fashionable cut was that year, and the right skin tones. The eyes I’d do as blue, like Jeb’s.” Hank drew a breath. “I know speed is a part of my job description, but honest, I’m fast, even in paint. If you had a color portrait of Jeb and James at least, people’s memories would trigger better, I know they would. But it does mean a few extra days.”
Abe patted the artist on the back, no mean accolade. “Right on, Hank! That’s a brilliant idea.” He smiled, his grey eyes crinkling at their corners. “If you have a thoroughbred in the stables, don’t hitch him to a wagon. Use your talents, that’s what they’re there for. Take as long as it takes.”
“For Jeb, by Friday,” said Hank, delighted.
On the dungeon front, things were gloomier. Liam and Tony were wading through possible sites for a dungeon, but after Abe’s visit to Busquash Manor, they crossed it off their list; those gargantuan roofs hid not underground cells but a full-sized theatrical stage, complete with a trap room and pit below stage level. The whole area was in use, the acoustics superb—no, Busquash Manor was not a possible. When Kurt von Fahlendorf had been kidnapped they had ransacked Holloman County for a soundproof cellar, which made this new quest much easier. Most structures were listed, had been inspected then, and could be inspected again. The chamber where von Fahlendorf had languished had been filled in since. No local builder had installed a soundproof studio anywhere, and what new cellars had come into existence were just ordinary basements. War relics like gun emplacements hadn’t changed, and theaters in a try-out city like Holloman containing three repertory companies and a faculty of drama were, like Busquash Manor, in constant use.
“This sucks,” said Tony to Abe.
“It’s here somewhere,” Abe said stubbornly.
“Needles in haystacks,” said Liam, as disgruntled as Tony.
“Paint on, Hank Jones,” said Abe under his breath.
SATURDAY, AUGUST 9, 1969
I vy Ramsbottom had invited Delia to “a late afternoon and entire evening of entertainment” at Busquash Manor, and Delia was bewildered. The invitation had come out of the blue last Thursday, which didn’t give a girl much time to sort out what to wear when the hosts were Rha Tanais and Rufus Ingham. Oddly, it had been Jess Wainfleet who explained it yesterday over lunch at the Lobster Pot.
“No, Delia, you mustn’t decline,” Jess had said.
“I think I must. I don’t know Ivy’s brother and his friend from a bar of soap—if I came, it would look as if my reason for doing so was vulgar curiosity.”
“Believe me, it wouldn’t. The short notice is unusual, except that Ivy tells me the new musical Rha’s designing is hopeless. As they’re party animals, Rha and Rufus throw a party on the slightest of excuses, and
Similar Books
