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else, or... right. Never mind," Silas says.
I smile as the bus's air brake squeals and the door opens, a rush of AC casting my hair back. "You should be sad--I'm making cookies. Though it's just ramen for dinner, so you aren't missing out on much there."
"Cookies? Damn--" He's cut off by the bus driver's impatient glare. "I'll see you later, though, right, Rosie?"
"Right," I say softly, trying not to trip as I'm getting on the bus. I slide into a seat by the air conditioner and close my eyes so I don't stare at him as we drive away.
I can make only eight things, if you don't count ramen noodles and sandwiches. One of them is meatloaf. Another is Oma March's chocolate cookies. I smash the chocolate into one of her green glass mixing bowls and beat it carefully. I like using Oma March's kitchen things; it makes me feel closer to her somehow. Scarlett is nowhere to be found, but I suspect she's running again. I think she's trying to become as fast as a Fenris or something. Good luck.
I lean against the oven, waiting for the cookies to bake. I made too many. So many that I could probably take some over to Silas's house.
56
Would that be weird? It's just bringing cookies to an old family friend. No big deal. Yes, do it now, before you change your mind.
The oven buzzer sounds loudly, and I dump the hot tray of cookies into the basket, then fold the corners of the cloth over the edges. They probably won't stay warm, but still, they look prettier this way. I stop in the bathroom to brush my hair behind my ears and adjust my shirt. It's just Silas, I remind myself.
I'm secretly both afraid and hopeful that I'll hear his car coming up the street behind me as I walk to his house. He lives in the middle of the forest that seems to start all at once, the road going from sunny and hot to dark and cool in a matter of moments. With the limbs swaying together in the breeze, it's almost like being underwater. Birdcalls seem to echo off the trunks, all of which are wide and impressive.
Silas's house emerges like a castle built by nature itself. The logs surrounding the front door are heavily carved with lifelike images of bears and rabbits and turtles, almost as if they were once real animals that were frozen here. One of Silas's brothers carved them--Lucas, I think, or maybe Samuel--one of them was good with a rifle, the other at carvings, but it's hard to keep the Reynolds boys straight. It's obvious the cabin was originally small, but now rooms stretch high into the trees and off to the sides. That was Pa Reynolds's rule: if you want your own bedroom, build it yourself. The top rooms of the house have broad decks that reach out into the upper tree limbs, a few with sketchy-looking
57
tire swings hanging off the railings. Even Silas's sisters, who weren't in training to become woodsmen, had to haul timber to have their own space before they went off to boarding school. I barely got the chance to know them, but Pa Reynolds was scared at the prospect of raising three girls alone after Silas's mother died.
His car isn't in the driveway, but I knock on the door anyway. No answer. I run my hand along the back of a carved wooden bear and then place the basket of cookies in front of the door. I linger for a moment longer...
Someone is here.
Behind me, I hear faint breathing. I spin around, hands darting to my waist, and I'm instantly grateful for Scarlett's obsession that I always carry my knives.
"So sorry, miss. Didn't mean to frighten you," a young man says calmly. He looks at me from heavy-lidded eyes and presses his perfectly shaped lips together. He's not alone--another man stands silently behind him, hair hinting at gray, face mature and chiseled, something like an older movie star. The younger man is in an artistically torn T-shirt, his hair tousled like some sort of rock star. I'm suspicious, though--most people don't come out this far, unless they're bill collectors or Fenris.
"You didn't," I lie. I lean against one of the
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