Strong Motion by Jonathan Franzen

be no impediment. She had been a simple peasant girl, a gatherer of flowers and scented herbs, in Napoleonic times. Why should she not then make glad melodies even now when, a careworn widow, there was nought to be wrought of life but, nay, begin it again? Why should not we all? In her workshop, we hearkened unto her message. We learned. We grew. We laughed. We became as young again. We were healed, healed not as the modern world would have us healed, but spiritually. Nay. A new world was opened up unto us by her.”
    Louis, standing rock-like, watched Mr. Tabscott bury his face in both hands. His jeweled watch gleamed.
    “But nay, what is the new but that which is most ancient? And what. What is death but the beginning of new life? Another turn in the eternal cycle? A young babe born? Let us therefore tell glad stories today. Each one of us as so desires, let them stand and celebrate with glad stories the eternal life of Rita Damiano Kernaghan and, nay, of us all!”
    Here Geraldine Briggs paused and a woman in the front row popped up from her seat. She immediately sat down again, withered by a look.
    “I see among us,” Geraldine Briggs continued, reading, “friends of Rita’s. Family of Rita’s. Friends from her years of labor as a secretary. Friends and loved ones from all walks of her life. And so, friends, the Empowerment Center, which I’m proud to direct, has in accordance with Rita’s express wishes requested that in lieu of flowers donations be made in Rita’s name to the Empowerment Center. The name of the fund is the Rita Damiano Kernaghan Fund. This is fund number 1145. Envelopes for giving are still available by the coffee urn. But nay, nay, let us now. Let us now hear glad stories!”
    The first glad story was delivered by Mr. Aldren, who rose halfway from his seat and spoke in a guarded monotone. “Rita Kernaghan was an employee with us at Sweeting-Aldren Industries for some twenty-four years and was the, uh, wife of the principal architect of what is known to be one of the Commonwealth’s high-tech and high-finance success stories of the, uh, last couple decades, and I and some fellow officers are here to, uh, pay our respects. She was a fine—fine woman.”
    Mr. Aldren dropped back into his seat and Geraldine Briggs, eyes closed, slowly nodded. Then the eager woman in the front row popped up and faced the congregation. Once, she said, after a class at the Empowerment Center, Rita Kernaghan had given her a bronze amulet to wear on her neck. The amulet had cured a large wen that was on her chest. Out of gratitude the woman had sent Rita a box of Harry and David’s pears. Six months later, at a festival of the vernal equinox held at Rita’s estate, the woman was taken into Rita’s living room. For six months the box of Harry and David’s pears had been stored close to the focus of power of the Pyramid on Rita’s house. Rita and the woman pried the staples—the staples were copper and heavy-duty—pried the staples out of the box. The pears were not rotten. The woman and Rita shared a pear, trading bites. It was good. The woman sat down.
    Geraldine Briggs smiled uncomfortably and coughed a little.
    A man with dentures like carp teeth stood up and unfolded a clipping. It was an editorial from the Ipswich Chronicle . The editorial was a thanksgiving that explicitly invoked the Judeo-Christian god and thanked him that property damage in the recent earthquake had been minor. The editorial noted that Rita’s famous Pyramid, so much in the news in recent years, had not protected her when push came to shove; damage on the Kernaghan estate (still slight) had been among the most severe. The man folded up the clipping. He said that he had taken two of Rita’s workshops. He said Rita had never maintained that the Pyramid offered eternal life in the present existence. That was not the point. It was this man’s personal view that the Pyramid had in fact served to concentrate the earth forces in the