you?â
âNo.â The palm of his hand feels warm, his fingers firm around my upper arm. Safe. I shrug him off and move away, put the desk between us. âIâll be fine. Iâll manage.â
âI might be better at talking her round than you.â
âI doubt it, Euan. She never liked you. I think I can do it.â I take a purposeful breath. âI know I can do it.â I go over to my own desk and sit down. Thereâs a stack of photographs for me to look through. They are views from Margie Campbellâs home in Iona: my next commission and one I was looking forward to. I love painting the sea in all its colours and moods and she has given me free rein to interpret the photographs however I want. The canvas is primed and I hoped to start today but I already know that I wonât be able to concentrate. Orlaâs intentions loom large in my head. I just want to know what Iâm up against and canât wait for tomorrow to be over so that I can get back to my life.
June 1976
Euan and I are playing in our den at the edge of the forest. Heâs just joined the Scouts and now he always carries a penknife and string in his pocket. Heâs been practising his knots and I have both my wrists tied together and then the string is looped around the trunk of the tree. âIâm going to go back home and get us something to eat,â he says, running off. âWait for me.â
I wait for him. Thereâs not much else I can do, tied up as I am, so I rest my head against the bark and watch ants crawl up and over my hands. I drift off into the gap between sleep and wakefulness and the next thing I hear is the sound of my motherâs voice.
âWhat in Godâs name?â
I jump guiltily. âEuanâs coming back in a minute.â
My mother wrestles with the knot. âWhat sort of a game is this, Grace? Look at the state of you!â My skirt has ridden up almost to my waist and she yanks it down. âAnd those are your new sandals!â When the knot comes loose, I try to wipe the dirt off them but my mother shakes me roughly and gripping on to my arm marches me back up the road.
Mo answers the doorbell, wiping her hands on her apron. The smile dies on her face as my mother speaks. âI have just found Grace.â She jerks me forward. âTied to a tree down at the far end of the field. By herself. Her skirt practically up around her neck. Anyone could have found her. Anything could have happened to her.â
Euan appears at Moâs side. âI was going back.â He holds up a bag of sandwiches, some home-made gingerbread and two bottles of lemonade. âIâve got the supplies.â
âNext time, Euan, bring Grace back with you,â Mo says, stroking his sticky-up hair flat.
âBut I was guarding our den,â I say.
âYeah.â Euan is frowning at both our mothers. He drops the food on to the ground and pulls the ends of his fingers until his knuckles crack. âWe werenât doing anything wrong.â
âHe had her tied to a tree, Mo.â My mother is shouting now and Mo takes a step backwards. â Tied to a tree .â
âNow, Lillian, a wee bit of freedom doesnât do them anyââ
â You have the cheek to tell me how to raise a child? With Claire hanging out with the local boys and George drunk of an evening â and Euan! What of Euan? Never out of trouble!â
Moâs face turns whiter than her freshly laundered sheets that buffet and bounce on the line.
My mother looks down at me. âYouâre not to play with Euan any more.â She looks back at Mo. âIâll be making other arrangements for after school.â
My mother turns and I am half walked, half dragged down the path. I look back and see Euan still cracking his fingers and then he punches the doorframe and Mo urges him to come inside.
At school the next day, he wonât speak to me.
Anne Tibbets
Mary Alice, Monroe
Lee Strauss
Mike Sullivan
L. M. Augustine
D. P. Lyle
Emily Ryan-Davis
Nana Malone
Marilyn Baron
Kathryn Michaela