beautiful one of them, and where are the men? Branding cattle, punching timeclocks, selling insurance . . . How can I bitch about my lot as a starving writer? Iâll find a way . . . Tomorrow Iâll go to Turf Paradise and see if the gods are kind. Surely I can outbet these cowboys and the old folks who come out here to die? Then thereâs the poem. Patchen died Saturday night of a heart attack and John Berryman jumped off a bridge into the Mississippi Friday and they havenât found his body yet. Things are looking better. These young guys write like Oscar Wilde with a social consciousness. Thereâs room at the top and nothing at the bottom. I can see myself walking through TIMES SQUARE and all the young girls saying, âLook there goes Charles Bukowski!â Isnât that the meaning of living immortality? Besides free drinks?
I finish my sandwich, let the beautiful one know that I still love her, soul and her body, then walk back into the desert to my overturned wooden reel, and I sit here typing now. I stand here typing now, looking at horses and cows, and over to my left are mountains shaped differently than those tiresome mountains north of L.A., and Iâll be back to L.A., itâs the only place for the literary hustler: at least I hustle best there, itâs my Paris, and unless they run me out like Villon I have to die there. My landlady drinks beer from the quart bottle and forces them upon me and takes ten bucks off the rent (a month) because I take out the tenantsâ garbage cans and bring them back in. Thatâs more advantageous than a Great Writerâs Course .
I got worried about the girls, though, they dance sexy with the cowboys at the local tavern and make big cow eyes at them; sun-tanned raw dudes who ainât even read Swinburne yet . . . Nothing to do but drink beer, act stoical, indifferent, human, and literary.
The little girl comes back:
âHi, Bukowski, dummy! Without no shirt on, without no shoes on, without no pants on, without no panties on, bare-naked typing outside . . . .â
Sheâs 3 years old and drives a toy tractor by, stops, looks back again:
âHi, Bukowski, dummy! No pants on, no panties on, bare-naked typing in the sun . . . No hair on, bare-butt typing, drowning in the water . . . â
No hair on? The female, of course, is the eternal problem as long as that thing stands up. And living 50 years doesnât bring a man any closer to solutions. Love still arrives 2 or 3 times in a lifetime for most of us, and the rest is sex and companionship, and itâs all problems and pain and glory . . .
And here she comes across the dust, 31 yearsâ worth, cowboy boots, long red brown hair, dark brown eyes, tight blue pants, turtleneck sweater; sheâs smiling . . .
âWhatcha doinâ, man?â
âWriting . . . â
We embrace and kiss; her body folds into mine and those brown eyes reflect birds and rivers and sun; they are hot bacon, they are chili and beans, they are nights past and nights future, they are enough, they are more than enough . . . Where she learned to kiss Iâll never know. As we part, something stands out in front of me.
âWeâll go to the track tomorrow,â she says.
âSure,â I say, âand how about this thing?â
I look down.
âDonât worry. Weâll take care of it,â she says.
We walk about and lock again over by the rabbit pen. Appropriate.
âYouâre the horniest old man I ever met . . . â
I send her away soon so I can finish this column. I watch the movement of her ass as she walks across the desert toward the house. She bends over to pet a dog. Freud, this is what the wars are all about, you had some truth going there, even though it was slightly hyped . . .
I stop another dog fight. This time 2 young girls walk through with a larger dog. The German police dog attacks. It is a good fight. I leap in with a stick, grab the large
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