So where were we? The fiery avalanche headed right at usâfalling, flailing bodies in mid-airâ the neighborhood under thick gray powderâ on every screen. I donât know where you are, I donât know what Iâm going to do, I heard a man say; the man who had spoken was myself. What year? Which Southwest Asian war? Smoke from infantsâ brains on fire from the phosphorus hours after theyâre killed, killers reveling in the horror. The more obscene the better it works. The point at which a hundred thousand massacred is only a detail. Asset and credit bubbles about to burst. Too much consciousness of too much at once, a tangle of tenses and parallel thoughts, a series of feelings overlapping a sudden sensation felt and known, those chains of small facts repeated endlessly, in the depths of silent time. So where are we? My ear turns, like an animalâs. I listen. Like it or not, a digital you is out there. Half of that cityâs buildings arenât there. Who was there when something was, and a witness to it? The rich boy general conducts the Pakistani heroin trade on a satellite phone from his cave. On the top floor of the Federal Reserve in an office looking out onto Liberty at the South Towerâs onetime space, the Secretary of the Treasury concedes they got killed in terms of perceptions. Ten blocks away is the Church of the Transfiguration, in the back is a Byzantine Madonnaâ there is a God, a God who fits the drama in a very particular sense. What you saidâ the memory of a memory of a remembered memory, the color of a memory, violet and black. The lunar eclipse on the winter solstice, the moon a red and black and copper hue. The streets, the harbor, the light, the sky. The blue and cloudless intense and blue morning sky. from Granta
FADY JOUDAH
Tenor
To break with the past Or break it with the past The enormous car-packed Parking lot flashes like a frozen body Of water a paparazzi sea After take off And because the pigeons laid eggs and could fly Because the kittens could survive Under the rubble wrapped In shirts of the dead And the half-empty school benches Where each boy sits next To his absence and holds him In the space between two palms Pressed to a faceâ This world this hospice from Beloit Poetry Journal
JOY KATZ
Death Is Something Entirely Else
Department of Trance Department of Dream of Levitation Department of White Fathom Department of Winding Sometimes my son orders me lie down I like best when he orders me lie down  close your eyes. Department of Paper Laid Gently (Department of Sound of Sheets of Paper he covers me with) then sings I like best the smallest sounds he makes then Department of This Wonât Sting Am I slipping away Department of Violet Static as if he were a distant station? Department of Satellite My child says you sleep Department of Infinitely Flexible Web and covers my face with blankness Department of Tap-Tapping the Vein Department of Eyelash I canât speak       or even blink or the page laid over my face will fall Department of Clear Tape in Whorls and Double Helixes on the Wall He says mama donât look Department of You Wonât Feel a Thing I cannot behold Department of Pinprick He will not behold Department of Veils and Chimes Lungs Afloat in Ether I like this best Department of Spider Vein when I am most like dead and being with him then, Department of Notes Struck from Thin Glasses Successively at Random I must explain to my child that sleep is not the same as dead Department of Borderlessness so that he may not be afraid of Department of Fingertips Lightly on Eyelids so I can lie and listen not holding not carrying not working Department of Becalmed     faint sound of him I am gone His song is the door back