racks of tubes with their numbers. And on the worktable the dusty radios, each with its tag. A patterned ceiling that drooped in the middle. I loved it there. It was a place to feel safe. It was all enclosed. And if he was busy, he didn’t talk. And I’d be engrossed with the mystery of the problem, the tracking down of the trouble inside the guts of a machine.It would hum, or beep, or sputter, or wouldn’t light, or make no sound at all. And he’d fix it. With his elaborate breathing he’d fix it. Sometimes he’d let me vacuum out the insides, clear the dust of years out of a chassis with a small powerful vacuum that was like a flashlight. And completely occupied with the problem he wouldn’t talk. History had no pattern in those moments. I didn’t have to worry. Imperialism, the last phase of capitalism, did not exist. There were tubes and condensers, and speakers and soldering irons and wires—a technology that was neutral and had no ideological significance. No, that’s wrong. He merely relented in noting it. When he was busy, I could secretly feel about him as other boys felt all the time about their fathers. And I didn’t have to worry about the Forces set against us in our struggle.
But sometimes he would listen to the radio while he worked on it. And he liked to listen to the commentators—it didn’t matter which one. They talked for fifteen minutes at a time. John W. Vandercook, Raymond Gram Swing, H. V. Kaltenborn, Johannes Steel, Frank Kingdon, Quincy Howe, Gabriel Heatter, Fulton Lewis, Jr. They were carry-overs from the Second World War when people really wanted to know what was going on. They were an industry. My father listened as he worked. He shook his head. He poked his soldering iron into the heart of the radio as if trying to repair the voice, trying to fix the errors of analysis and interpretation. He stabbed it in the tubes, like a primitive again, as if the machine was talking, as if trying to re-program the lie box. I remember Radio Town Meeting of the Air. He used to turn that on at home. It would make him furious. The question to be debated was always loaded. The strong speaker was always a right-winger. The town crier would ring the bell and announce the program and he’d sit and listen until he couldn’t bear it any longer. It was the ritual of eating your heart out. That was my mother’s phrase for these things: “What are you eating your heart out for? Pauly. You know who owns the stations. You know it’s all rigged. Why must you eat your heart out?” Her contribution to his self-esteem was in warning him that his sensitivity could ruin his health. Who owns the airwaves? Who owns the American Press? Who rules America? Like Du Pont dealingwith I. G. Farben. Evidence, there was never enough evidence. He swam in it. That was it—physical training, it was the way he stayed in shape. That has to be it. You ate your heart out to keep the revolutionary tension. But Rochelle didn’t have to do that. She didn’t have to go through the primer again and again. She knew the lesson. She was truer to the idea. In her way she was the more committed radical. Because, look, the implication of all the things he used to flagellate himself was that American democracy wasn’t democratic enough. He continued to be astonished, insulted, outraged, that it wasn’t purer, freer, finer, more ideal. Finding proof of it over and over again—the struggle is still going on, Pop!—like a guy looking for confirmation. How much confirmation did he need? Why did he expect so much of a system he knew by definition could never satisfy his standards of justice? A system he was committed to opposing because he had a better one in mind. It’s screwy. Lots of them were like that. They were Stalinists and every instance of Capitalist America fucking up drove them wild. My country! Why aren’t you what you claim to be? If they were put on trial, they didn’t say Of course, what else could we expect , they said
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