boiling tea in the master glassmaker’s face? And why, to cap that, did he go and draw his sword on him? After all he, Kornél Sternovszky, was hardly a distinguished swordsman, whereas the brute of a master glassmaker was said to be a veteran of a dozen duels. At the first clash of blades, the glassmaker had wrenched the weapon from his hand, with the same downward movement stabbing him deep in the chest. He could feel distinctly the foam of blood spatter across his chest.
When he was four, he had been found by good people—traveling Gypsies—with barely a sign of life in his body. As he recovered, there were days when he could only howl and scowl, and it was weeks before he was speaking again. Now, as he is laid out, he can no longer make the smallest sound. Now there comes to cover him again the odious dankness of the dark.
II
THE BURNING ORB OF THE SUN BLAZES A PATH ACROSS THE heavens, like some truculent sovereign sultry on high. The crops are chiffon scarves waving in the wind. The air is pale blue and restless with flurrying things: a broken twig, a fluttering feather, small scraps of cloth, grains of sand, fallen rose blossoms, as if Mother Earth sought to shake off whatever she deemed superfluous. As the air warms up, so the countryside fills with the joyous sounds of nature. From the stalls and stables sounds of braying and grunting and neighing fill the air at all hours of the day. Birds burst into song, as do the children in many a house.
That year estate manager Károly Bodó was determined that the maypole would be of quite outstanding height. He took the trouble personally to select from the thick of the forests of the estate the tallest of their magnificent maples, which took the foresters hours to fell. Four of his men had endless trouble hauling it out onto the track, where they could at last maneuver it onto a cart. For displaying the maypole, manager Bodó had picked a spot on the gentle slope in front of the tiny artificial lake in the park of Castle Forgách. There were groans aplenty from the men: there was nostonier ground in the entire estate and they would have to dig extra deep if the winds were not to bring it down on the gardener’s lodge or, on the other side, the delicate tracery of the wooden bridge’s balustrade. All in vain. Manager Bodó brooked no opposition: his word was law.
Manager Bodó knew what he was doing in insisting on this site. Planted here, the maypole could be seen with equal ease from the road, from the garden, and from the spacious first-floor terrace, the venue for most of the festivities.
The delicate curly leaves of the estate’s renowned two-hundred-year-old walnut trees had turned a deep green and, as every autumn, manager Bodó had had the crop carted down to the plain where they fetched a very acceptable price. The trees yielded walnuts the size of smallish hen’s eggs. Their shells were so thin they were almost transparent, and it was the work of a moment even for a small child to crack them open. Manager Bodó himself was particularly fond of walnuts and could hardly wait for them to ripen, sometimes having them shaken down as early as July and delightedly consuming his share of the crop dipped in honey or crumbled onto strips of pasta, or even raw, keeping a handful stuffed in his pocket. He liked to have something to chew on: pumpkin seeds, a sweetmeat of some kind, or even the stem of a pipe.
Manager Bodó had served the Count’s estates for many a year. A distant relative of the Countess’s mother, he had been taken on after her premature death, more or less out of kindness, but with his industrious nature and sharp mind for business, he had quickly proved he needed no favors. He presented just one enduring problem: he could not stand music. He had been born cloth-eared—in both ears. Count Forgách and his wife, however, could not live without the sound of music, and their many visitors and guests were entertained by concerts, amateur operas,
When he was four, he had been found by good people—traveling Gypsies—with barely a sign of life in his body. As he recovered, there were days when he could only howl and scowl, and it was weeks before he was speaking again. Now, as he is laid out, he can no longer make the smallest sound. Now there comes to cover him again the odious dankness of the dark.
II
THE BURNING ORB OF THE SUN BLAZES A PATH ACROSS THE heavens, like some truculent sovereign sultry on high. The crops are chiffon scarves waving in the wind. The air is pale blue and restless with flurrying things: a broken twig, a fluttering feather, small scraps of cloth, grains of sand, fallen rose blossoms, as if Mother Earth sought to shake off whatever she deemed superfluous. As the air warms up, so the countryside fills with the joyous sounds of nature. From the stalls and stables sounds of braying and grunting and neighing fill the air at all hours of the day. Birds burst into song, as do the children in many a house.
That year estate manager Károly Bodó was determined that the maypole would be of quite outstanding height. He took the trouble personally to select from the thick of the forests of the estate the tallest of their magnificent maples, which took the foresters hours to fell. Four of his men had endless trouble hauling it out onto the track, where they could at last maneuver it onto a cart. For displaying the maypole, manager Bodó had picked a spot on the gentle slope in front of the tiny artificial lake in the park of Castle Forgách. There were groans aplenty from the men: there was nostonier ground in the entire estate and they would have to dig extra deep if the winds were not to bring it down on the gardener’s lodge or, on the other side, the delicate tracery of the wooden bridge’s balustrade. All in vain. Manager Bodó brooked no opposition: his word was law.
Manager Bodó knew what he was doing in insisting on this site. Planted here, the maypole could be seen with equal ease from the road, from the garden, and from the spacious first-floor terrace, the venue for most of the festivities.
The delicate curly leaves of the estate’s renowned two-hundred-year-old walnut trees had turned a deep green and, as every autumn, manager Bodó had had the crop carted down to the plain where they fetched a very acceptable price. The trees yielded walnuts the size of smallish hen’s eggs. Their shells were so thin they were almost transparent, and it was the work of a moment even for a small child to crack them open. Manager Bodó himself was particularly fond of walnuts and could hardly wait for them to ripen, sometimes having them shaken down as early as July and delightedly consuming his share of the crop dipped in honey or crumbled onto strips of pasta, or even raw, keeping a handful stuffed in his pocket. He liked to have something to chew on: pumpkin seeds, a sweetmeat of some kind, or even the stem of a pipe.
Manager Bodó had served the Count’s estates for many a year. A distant relative of the Countess’s mother, he had been taken on after her premature death, more or less out of kindness, but with his industrious nature and sharp mind for business, he had quickly proved he needed no favors. He presented just one enduring problem: he could not stand music. He had been born cloth-eared—in both ears. Count Forgách and his wife, however, could not live without the sound of music, and their many visitors and guests were entertained by concerts, amateur operas,
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