at full stretch, leaping the puddles. It’s some sort of small hunting dog, more solidly built than Whip was, with a shaggier coat. It stops a metre short of me, and stares, panting, mouth half open like it’s never seen a girl sitting on a sarsen before.
‘Here, boy.’ I rub my fingers together. It takes a step forward, quivering with curiosity, as its owner follows it towards me.
A dark woollen trilby jammed over light brown corkscrew curls, a long grey scarf wrapped round his neck, a blush of cold on the smooth-skinned cheeks: it makes him look hardly more than a boy, though he’s probably early-to mid-twenties. The cool eyes, half hidden under the tangled fringe, hold mine for a moment, then slide away, gone before I can get out a ‘good evening’. He carries on down the hill towards Avebury. Strong shoulders, hands tucked into the pockets of a brown fleece jacket, legs in mud-spattered skinny jeans. He takes a hand out of his pocket–no gloves–and snaps his fingers. The dog swivels its head after its master, looks back at me, blinks, then races off to follow him.
Reluctantly, I clamber to my feet and start to walk up to the Ridgeway, turning to catch a last glimpse of the twilight walker before he disappears below the curve of the slope. He’s taking the steep, slippy bit fast, with a polka-ish sideways gait like he’s scree-running. Perfect balance. Perfect arse. You have to admire.
John’s home below Overton Hill is not pretty by Wiltshire-cottage standards: instead of thatch and sarsen, it’s square-built of plain red brick, with a tiled roof. Living room downstairs, with a kitchen at the back, like an afterthought; two small bedrooms and a minuscule bathroom upstairs. Seventy years ago, when Fran was a girl, a farm worker and his wife would have brought up half a dozen children here.
I’m half expecting John not to be in, but the door opens almost immediately when I knock. In the living room, the stool he uses for reflexology sessions is drawn up to the sofa, and there’s a green silk scarf on the floor. ‘You haven’t got company?’
John bends down to pick it up. ‘She does that every time. Leaves something so she’s an excuse to pop in and collect it.’
‘Thinking she might catch you at it with one of your other clients?’
He grins. ‘Does make me nervous. Sit down, kettle’s on the stove.’ He disappears into the kitchen, and I settle myself in front of a cheerful fire, checking first that no other female client has left a memento, like a pair of knickers stuffed behind the sofa cushions. In the corner of the room, leather-skinned drums are stacked on top of each other, next to a shelf full of drumming cassettes and books with beefy, muscular titles like The Way of the Shaman, Recognizing Your Power Animal , and Psychic Self-Defence .
‘How’s Frannie?’ he calls from the kitchen.
‘Still refusing to utter another word about Grandad.’
Every time I’ve tried to raise the subject, her eyes fill with tears and her mouth turns down. When I questioned her after seeing the date on Davey Fergusson’s headstone, last autumn, her response was to suggest I’d found the wrong grave marker. Then she told me I’d misremembered Margaret’s birthday. Your mother was always coy about her age, she said.
This was true, but there’s coy and there’s eye-wateringly unbelievable. Margaret liked people to think she was still in her thirties long after she’d hit the big four-oh, but I’m certain I’ve seen 1945 written down. I’d had her passport, once, with a whole parcel of other stuff that had been returned to us after she died in Goa, when I was thirteen–a stupid accident, falling off the side of a stage. That was so Margaret it can make me smile now: she was graceful when she danced, but clumsy in every other setting. I burned everything on a ceremonial pyre. Now I wish I hadn’t.
John returns with mugs of tea. ‘You should stop nagging her. Frannie’ll tell you in her
‘Here, boy.’ I rub my fingers together. It takes a step forward, quivering with curiosity, as its owner follows it towards me.
A dark woollen trilby jammed over light brown corkscrew curls, a long grey scarf wrapped round his neck, a blush of cold on the smooth-skinned cheeks: it makes him look hardly more than a boy, though he’s probably early-to mid-twenties. The cool eyes, half hidden under the tangled fringe, hold mine for a moment, then slide away, gone before I can get out a ‘good evening’. He carries on down the hill towards Avebury. Strong shoulders, hands tucked into the pockets of a brown fleece jacket, legs in mud-spattered skinny jeans. He takes a hand out of his pocket–no gloves–and snaps his fingers. The dog swivels its head after its master, looks back at me, blinks, then races off to follow him.
Reluctantly, I clamber to my feet and start to walk up to the Ridgeway, turning to catch a last glimpse of the twilight walker before he disappears below the curve of the slope. He’s taking the steep, slippy bit fast, with a polka-ish sideways gait like he’s scree-running. Perfect balance. Perfect arse. You have to admire.
John’s home below Overton Hill is not pretty by Wiltshire-cottage standards: instead of thatch and sarsen, it’s square-built of plain red brick, with a tiled roof. Living room downstairs, with a kitchen at the back, like an afterthought; two small bedrooms and a minuscule bathroom upstairs. Seventy years ago, when Fran was a girl, a farm worker and his wife would have brought up half a dozen children here.
I’m half expecting John not to be in, but the door opens almost immediately when I knock. In the living room, the stool he uses for reflexology sessions is drawn up to the sofa, and there’s a green silk scarf on the floor. ‘You haven’t got company?’
John bends down to pick it up. ‘She does that every time. Leaves something so she’s an excuse to pop in and collect it.’
‘Thinking she might catch you at it with one of your other clients?’
He grins. ‘Does make me nervous. Sit down, kettle’s on the stove.’ He disappears into the kitchen, and I settle myself in front of a cheerful fire, checking first that no other female client has left a memento, like a pair of knickers stuffed behind the sofa cushions. In the corner of the room, leather-skinned drums are stacked on top of each other, next to a shelf full of drumming cassettes and books with beefy, muscular titles like The Way of the Shaman, Recognizing Your Power Animal , and Psychic Self-Defence .
‘How’s Frannie?’ he calls from the kitchen.
‘Still refusing to utter another word about Grandad.’
Every time I’ve tried to raise the subject, her eyes fill with tears and her mouth turns down. When I questioned her after seeing the date on Davey Fergusson’s headstone, last autumn, her response was to suggest I’d found the wrong grave marker. Then she told me I’d misremembered Margaret’s birthday. Your mother was always coy about her age, she said.
This was true, but there’s coy and there’s eye-wateringly unbelievable. Margaret liked people to think she was still in her thirties long after she’d hit the big four-oh, but I’m certain I’ve seen 1945 written down. I’d had her passport, once, with a whole parcel of other stuff that had been returned to us after she died in Goa, when I was thirteen–a stupid accident, falling off the side of a stage. That was so Margaret it can make me smile now: she was graceful when she danced, but clumsy in every other setting. I burned everything on a ceremonial pyre. Now I wish I hadn’t.
John returns with mugs of tea. ‘You should stop nagging her. Frannie’ll tell you in her
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