He led a fair-haired, red-faced man into the room. The man was breathingheavily and flapping his arms agitatedly. Chase poured himself a coffee and sat down. âNow what is it?â he said.
The other man remained standing, continually moving with nervous energy. He took a deep breath then spoke. âWe were filming in the desert â¦â
âWhy do we need a boring old desert in the film?â asked Petal.
âItâs for the opening sequence. Itâs symbolic, you know, representing a cultural desert, isolation ⦠that kind of thing,â said Chase.
âYeah, well, we got lots of nice shots using the long-angle lens â¦â continued Theo. âWe went early morning and just where you said, two miles down the road from the southern entrance to Joshua Tree National Park. You were right, the lightâs real nice at dusk. It made for real pretty shots. The sun was coming up and the desert had a kind of reddish glow.â
âSounds beautiful,â said Chase, stirring cream into his coffee.
âThen â¦â Theo faltered. âThen something got in the way of the shot.â
âWhat sort of something?â
âSomething big. It was in the distance but you could see what it was. There were two of them. I lookedback at the film to check.â
âWell,â said Chase patiently, âwhat was it? A road-runner? A wolf? Thereâs not much that lives out there.â
âIt wasnât any of those things,â said Theo. âIt was ⦠Well, it looked like ⦠You know, from a distance it seemed to be â¦â
âSpit it out,â said Chase. âI havenât got all day.â
âD ⦠d ⦠d ⦠dragons,â whispered the red-faced man.
Petal and Dante hooted with laughter.
A smile spread across Chaseâs face.
Holly and Archie said nothing.
âI think you may have got the wrong idea about the sort of movie weâre making,â said Chase, sipping his coffee.
âLook, I know it sounds crazy but I know what I saw and I saw dragons. They looked like those Joshua trees you get out there â you know, all spiky like cactuses, but they had jaws and limbs and they were fighting.â
âHow ridiculous,â said Petal scornfully. âDragons donât exist in real life, do they, Chase?â
âNot in my experience,â replied the director ponderously. âLook, Theo, Iâll tell you what, let me see the rushes. Iâd like to have a look at these dragons. Itâsprobably just a trick of the light.â
âThatâs the problem,â said Theo. âThatâs whatâs so odd. Everyone will think Iâm making it up but I know what I saw.â
âThen let me see the film,â said Chase firmly.
âI canât,â replied Theo. âThe filmâs gone missing. It was stolen.â
Chapter 11
Dirk was in the middle of a dream about the moon being a huge orange, which had ripened and was heading on a collision course with earth, when the phone rang.
âSomeone get a juicer!â cried Dirk, waking up with a start. His mouth was parched and two empty bottles of orange squash lay on his desk. He groaned, knocked them on to the floor, and answered the ringing phone.
âThe Dragon Detective Agency,â he said gruffly. âDirk Dilly speaking. How can I help you?â
âHave you just woken up?â It was Holly. âWhat time is it there?â
âWhat do you mean
there
? Where are you?â said Dirk.
âIâm calling long distance,â said Holly. âIâm in Los Angeles.â
âLos Angeles in America?â spluttered Dirk.
âNo, Los Angeles in Kuala Lumpur,â said Holly, laughing.
âI thought you were grounded,â said Dirk.
âWe got flown here on Brant Buchananâs private jet.â
âI donât trust your dadâs boss as far as I can throw him. In fact, I
James A. Haught
Stella Kelly
Leslie Glass
Jack McDevitt
B. Kristin McMichael
Jeanne C. Stein
Eliza Redgold
Vickie Mcdonough
Marion Zimmer Bradley
Charles Yu