fact Nicky almost refused to pass the double line of pylons, because they seemed so much worse than the single ones which sheâd crossed with a slight shudder before, but Gopal cajoled her under.
It had rained twice that day, and there were looming clouds about, so they were glad of the farmyard roofs and the dry hay beneath them. Four of the men pushed a cart laden with pots to Strake, two miles further along the road. There was a pond marked on the map at Strake.
It was Nicky who found the old well, which had enabled the farm to be built there in the first place. The close eye which the Sikh parents kept on their children irked her, though she didnât like to say so; but she tended to drift off and explore as soon as she had done what she could to help set up camp; it was her way of saying that she wasnât going to let herself be watched and pampered like that. Once or twice Gopal had slipped away and come with her, only to be scolded when they got back, but this time she was alone.
The artistâs cottage was locked. Nose against windows, Nicky could see a low-ceilinged kitchen and another big room which had been made by knocking down several walls. Light streamed into it through a big skylight in the far roof. She didnât feel like visiting the huge barns because theyâd be full of engines, and everywhere else was nothing but rippling wheat; so she sat on a low circular flint wall, topped with a line of brick, and thought about nothing much. The shouting and chatter of the encampment washed over her unheeded. The center of the flint wall was covered with a four-foot round of wood; she thought vaguely that it must be some sort of garden table, uncomfortable because you couldnât get your knees under it. She slapped the timber with her palm.
A slow boom answered, as though the whole hill were speaking, the million-year-old chalk answering her knock in tones almost too deep to hear. Each slap or rap produced the same bass reply. She got her fingers under the edge of the wood and it came up like a lid.
The hole in the center of the circle was black. It was a tunnel of night defying the gay sun. The palms of her hands went chilly as she clutched the brick rim and peered in. At first she could see nothing, but then there was a faint light, a circle of sky with a head and shoulders in the middle. The rough chalk walls dwindled down, becoming invisible in darkness before they reached the water. She dropped a stone but it fell crooked, clacking several times from wall to wall before the splash. She went to fetch Kewal.
He dropped three or four stones, with his other hand feeling his pulse. Even when the stones fell straight it seemed ages before the splash answered.
âAbout fifty feet to the water,â he said. âIf we can get it up, and if the water is good, it means we can stay here for a while. The women say that Raniâs baby will be born in two or three days.â
They found a rope and bucket in the sheds, but it took a lot of trial and error and a lot of many-voiced arguments before the men rigged up a method of getting a bucket down all that distance and making it lie sideways when it reached the water, so that it filled, and then tilted upright when it was full. Hauling a full bucket up from fifty feet was tiring, too, but it was better than walking to Strake. And the water when it came was so sweet and clean that Cousin Punam decided it was safe to drink without boiling.
It was Gopal who found the corn. While Rani was in labor, three days later, the older children were shushed away. Nicky didnât follow them up to the big barns because she felt uncomfortable there. She was looking, with little luck, for late wild strawberries in the matted grass on the banks of the lane when Gopal came hurrying past, his hands cupped close together as if he was trying to carry water. Nicky thought heâd caught a bird and ran to look.
âNicky, youâre thick,â he said.
Johanna Moran
Nikki Turner
Mary Higgins Clark
John Lansing
Sarah Graves
Felicia Starr
Graham Greene
Jim DeFelice, Larry Bond
Celia Stander
Jean C. Joachim