pats on the back that kept him in his place. Mitchell had read the Giotto passage from The Inferno a hundred times, a hundred ways. Surely, he hadnât misread Danteâs meaning. I read it again to the end. âObscure the otherâs fame is now.â
Mitchell had been half-right. Dante had bestowed upon Giotto a form of immortality. Heâd damned him with faint praise.
S ARA WAS STANDING ALONE IN THE LOBBY WITH A CLIPBOARD , her long hair gathered with a yellow rubber band high at the back of her head so it cascaded down several inches away from her neck, like a real ponyâs tail. She was wearing skintight blue jeans and a tiny jean jacket with a pair of lime-green high heels that probably cost more than Mitchellâs BMW. I was relieved to be the first in line, above reproach. Sara was texting so I kept my distance, leaning on the front desk.
From a swinging door behind the desk, a new character in a tuxedo emerged with two silver ice buckets. He was just about my height, with buzz-cut silver hair and a square, German jaw. He said, â Prego .â
I looked around. â Prego? â
He said, â Prego .â
I got the sense he wanted me to want something, so I said, âGlue?â
âBlue?â
âGlue.â I licked my finger and pretended to get it stuck on the desk.
â Ah, francobollo. â
This seemed unlikely. âNo, glue.â I rubbed my finger on the desk and flattened my hand against the spot, and then leaned back, pulling on the wrist.
â Si, si, si. Adesiva, adesiva .â
I said, â Adesiva!â We were both delighted.
â Adesiva, ha! No, no, no. Diciamo colla. â
Cola? I blamed the ice buckets. âNoâno cola, grazie .â
â Prego, prego. â He bowed, ducked under the desk, and headed for the elevator.
I waved at Sara, and as I approached, she politely lowered her phone. I took the opportunity to report on T.âs decision to skip the dayâs activities.
She said, â Il medico? â She sounded exasperated.
I nodded.
âEveryone tells me nothing,â she said. â Arrivederci !â She crossed his name off her list.
I had intended to tell her about my altered afternoon plans, but I chickened out when Sara pointed at the four impatient couples staring at us from the sidewalk. She barked, â Andiamo! â
As we stepped outside, one of the men said, âWhich way?â
Sara pointed to a crosswalk at the end of the block and the post office just beyond.
I said, âArenât we waiting for Shelby?â
Over her shoulder, one of the wives yelled, âShe went ahead with that elderly gal. We were all waiting on you again.â
I brought up the rear next to Sara, who towered over me, texting furiously. Corso Garibaldi was a major thoroughfare, with severallanes of two-way traffic, trams running on embedded tracks, and a broad sidewalk bordered by an unbroken run of waist-high iron-pipe railing that prevented pedestrian crossings for anyone who wasnât ready to limbo. Within half a block, Sara pointed out the Church of the Eremitani on the far side of the street, a biggish, dark building oddly angled inside a curved brick wall. The church appeared as part of the Arena Chapel complex on the map sheâd given us. âWe will go there,â she said.
I couldnât see how.
The shops we were passing were just opening up, and I asked Sara if the odd lot of cameras and ponchos and religious statuary was the edge of a shopping district.
âFor tourists who must buy something, sure,â she said. âThe station for trains, it is one kilometer up there. You will see Wednesday when you leave for Firenze.â
I wouldnât, but I nodded agreeably, as we were about to catch up with the couples. They were waiting at a traffic light where the railing opened up for a tram stop and crosswalk. The men were edging out into the street, their wives clotted on the
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