The Chessmen
narrow track to the main road, and Kenny was striding across the yard to speak to her.
    In spite of Fionnlagh’s vivid depiction of the girl, her appearance still came as a shock. Her neck and what was visible of her arms were covered in dark-blue tattoos. Impossible at this distance to tell what they were. Her hair was unnaturally black, and cropped as Fionnlagh had said, but dyed pink along one side, above an ear crusted with a dozen or more rings through the cartilage of the scapha. The opposite eyebrow was punctured by five or six studs, and several rings disfigured her lower lip. In addition she had a nose stud, and although Fin couldn’t see it, he imagined her tongue was probably also pierced.
    She wore a short black skirt over black leggings, and a charcoal-grey hoodie over a low-cut black T-shirt. A tan leather bag was slung high over her shoulder.
    Oddly, in spite of it all, she had a pretty face, and something about her black-lined eyes told Fin that she couldn’t be anyone other than Whistler’s daughter.
    But it was her stepfather who crossed below to greet her. Although larger than life in isolation, she shrank next to Kenny, who looked like a giant beside her, and Fin realized just how impossibly small she was. Hence the name that Fionnlagh had used for her – Anna Bheag. Wee Anna. He watched their body language. Anna appeared guarded, but not hostile. She didn’t move away from the big hand that laid itself tenderly on her cheek, a fleeting gesture of warmthand fondness that belied the image of gruff masculinity that Kenny liked to project. They stood talking for some moments, easily and without rancour, and it was clear to Fin that their relationship was not afflicted by the antagonism that characterized so many relationships between father and teenage daughter. There was something almost touching in the way they were together.
    And then he became aware of her eyes on him, and he could see a change not only in her expression, but in the way she held her whole body, turning in his direction, suddenly erect, hostile and provocative at the same time. She said something and Kenny turned, raising his eyes towards the window of Jamie’s study. Fin must have been as plain as day to them, standing there in the window, watching.
    She raised the middle finger of her right hand and thrust it in his direction. And even through the double-glazing he heard her shout, ‘Why don’t you take a picture? It’ll last longer!’ He felt shock, almost like a physical blow, and knew that the colour had risen on his cheeks.
    Kenny said something to her, but she turned without another word and marched away up the path to the door of the house. Kenny looked back towards Fin, eyebrows raised, a tiny smile of embarrassment on his lips, and the smallest shrug of his shoulders signalled an apology.
III
    The bar was crowded, windows steaming up as the temperature outside began to fall. Half a dozen men were gathered around a pool table in an alcove, others had drawn in chairs at circular wooden tables. But most of them were standing, three or four deep along the bar, drinking pints, voices raised to make themselves heard above the hubbub. Somewhere in the background Fin could make out the distant thump, thump of music pumping through a sound system.
    Bodies parted, like the Red Sea making way for Moses, as Jamie cleaved a route to the bar followed by Fin and Kenny. As they reached it Kenny moved his mouth close to Fin’s ear and said in a low voice, ‘Sorry about the lassie. She’s at a difficult age.’ And for a moment Fin wondered how on earth he succeeded in managing the estate and bringing up a teenage daughter at the same time. Then he remembered that Anna was away from home five days a week at student accommodation in Stornoway. Just as he had been. So, really, it was more like a part-time job. But you would never have guessed from looking at him that Kenny was a man who’d had to deal with the tragic death of his wife,

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