The Collected Stories of Stefan Zweig
wandering life, so I bought this house and the tavern with the money and soon forgot the war. I kept the child. I was sorry for her, and then I hoped that as she grew up she’d do the work about the place for me, old bachelor that I am. But it didn’t turn out like that.
    “You saw her just now, and that’s the way she is all day. She looks out of the window at empty air, she speaks to no one, she gives timid answers as if she was ducking down expecting someone to hit her. She never speaks to men. At first I thought she’d be an asset here in the tavern, bringing in the guests, like the landlord’s young daughter over the road, she’ll joke with his customers and encourage them to drink glass after glass. But our girl here’s not bold, and if anyone so much as touches her she screams and runs out of the door like a whirlwind. And then if I go looking for her she’s sure to be sitting huddled in a corner somewhere, crying fit to break your heart, you’d think God know what harm had come to her. Strange folk, the Jews!”
    “Tell me,” said the painter, interrupting the storyteller, who was getting more and more thoughtful as he went on, “tell me, is she still of the Jewish religion, or has she converted to the true faith?”
    The landlord scratched his head in embarrassment. “Well, sir,” he said, “I was a soldier. I couldn’t say too much about my own Christianity. I seldom went to church and I don’t often go now, though I’m sorry, and as for converting the child, I never felt clever enough for that. I didn’t really try, seemed to me it would be a waste of time with that truculent little thing. Folk set the priest on me once, and he read me a right lecture, but I was putting it off until the child reached the age of reason. Still, I reckon we’ll be waiting a long time yet for that, although she’s past fifteen years old now, but she’s so strange and wilful. Odd folk, these Jews, who knows much about them? Her old grandfather seemed to me a good man, and she’s not a bad girl, hard as it is to get close to her. And as foryour idea, sir, I like it well enough, I think an honest Christian can never do too much for the salvation of his soul, and everything we do will be judged one day… but I’ll tell you straight, I have no real power over the child. When she looks at you with those big black eyes you don’t have the heart to do anything that might hurt her. But see for yourself. I’ll call her down.”
    He stood up, poured himself another glass, drained it standing there with his legs apart, and then marched across the tavern to some sailors who had just come in and were puffing at their short-stemmed white clay pipes, filling the place with thick smoke. He shook hands with them in friendly fashion, filled their glasses and joked with them. Then he remembered what he was on his way to do, and the painter heard him make his way up the stairs with a heavy tread.
    He felt strangely disturbed. The wonderful confidence he had drawn from that happy moment of emotion on seeing the girl began to cloud over in the murky light of this tavern. The dust of the street and the dark smoke were imposed on the shining image he remembered. And back came his sombre fear that it was a sin to take the solid, animal humanity that could not be separated from earthly women, mingling it with sublime ideas and elevating it to the throne of his pious dreams. He shuddered, wondering from what hands he was to receive the gift to which miraculous signs, both secret and revealed, had pointed his way.
    The landlord came back into the tavern, and in his heavy, broad black shadow the painter saw the figure of the girl, standing in the doorway indecisively, seeming to be alarmed by the noise and the smoke, holding the doorpost with her slender hands as if seeking for help. An impatient word from the landlord telling her to hurry up alarmed her, and sent her shrinking further back into the darkness of the stairway, but the

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