wait . . .
â¢Â   â¢Â   â¢
DEEPLY SPOOKED, I hurry back to Georgetown almost as fast as I ran from the chapel that night last fall. I need a break from God, I decide. I need the Alabama Boys and springtime. And theyâre here for me. The weather warms, girls switch from jeans to skirts, and on Copley Lawn the cherry blossoms explode like sweet pink redemption. On my dorm hall another brand of redemption arrives one night when Pike is found passed out drunk in the lounge. Rod and Adam are summoned, and they go to work.
I donât know about it till the next morning when Iâm coming back down the hall from the showers and I see a creature emerging from Pike and Brettâs room.
âWhoa,â I say.
The creature is wincing like heâs hungover. His eyebrows have been shaved off, along with most of his hair. Tiny tufts of hair have been left on his skull like stubborn black crabgrass. Rod has also used black indelible marker to draw all over the bald parts. There are dark mushroom clouds and dark grim reapers and the giant words FUCK and CUNT and I HAD THIS COMING .
âHi, Pike,â I say.
He looks down and away as he passes.
A night later I go with the Alabama Boys to a house party off campus. Once we get there, the Boys melt off into the arms of girls. I find myself in a crowded kitchen. One guy is passing around giant plastic cups of Tanqueray gin and tonic to some girls.
âWant some gin?â he asks me.
âNo thanks. The juniper berry is the worst kind of berry.â
âWhat the fuck does that mean?â
I think about it. âI donât know. Give me some gin.â
Soon Iâm zippy on Tanqueray. I wander outside. On the back lawn stands a giant garbage can filled with rocket fuel, which is liquor mixed with cherry Kool-Aid packets. R.E.M.âs âGardening at Nightâ plays on a stereo and I drink rocket fuel, feeling the springtime in my blood.
An hour later Iâm somehow hanging out of a second-story bedroom window of the house, holding on to the window ledge with my feet. Iâm not sure how I got hereâa dare?âbut I look down at the crowd on the grass. Theyâre all walking on their heads. When I try to pull myself back up into the house, I canât. The crowd below drags the trash can of rocket fuel over underneath me.
âGo for it,â someone calls.
âInto the drink!â
âCliff dive, motherfucker!â
I try again to pull myself up into the window and canât.
âHelp,â I yell, scared now. âSomeone help!â
Two guys I donât know scurry into the house and find the upstairs bedroom Iâm in. Each grabs one of my feet. They strain, trying to reel me up and in. The crowd claps and shouts.
âCliff-dive-cliff-dive!â
My right foot slips in its holderâs grasp. âDonât let go,â I beg.
Then I see Pike in the crowd below. Heâs not cheering, just looking up at me, his eyes locked on mine. With the mushroom clouds and the F UCK YOUs on his scalp and the leer on his face, he looks like the ringmaster of some apocalyptic circus. Heâs grotesque but riveting, almost marvelous, and I canât look away from him, and his eyes say,
You have this coming, too. A reckoning. Just wait.
Chapter Three
BY SEPTEMBER of sophomore year Iâm all but certain that Iâll join the Jesuits. As priests go, theyâre a damned smart bunch. The ones that teach at Georgetown run an impressive gamut. There is the Mystic, Father Princeâmy favoriteâbut thereâs also the Bodybuilder, Father Kelleher, who teaches acting and whom girls around campus call Father What-a-Waste because of his good looks and huge pecs. Then thereâs the Cut-Up, Father Raminski, who teaches economics and who gasps and falls on the floor, twitching like a heart attack victim, when students give especially stupid answers to his questions. These are
Laini Taylor
J.D. Oswald
M. L. Stewart
C.C. Kelly
Douglas W. Jacobson
Theodore Taylor
Kristina Jones, Celeste Jones, Juliana Buhring
Lara Adrián
Harry Dodgson
Lori Foster