disobedience. I yelled at him:
“That’s enough, Otto, stop it!”
When he didn’t stop I raised the branch that I had in my hand menacingly, but even then he wouldn’t be silent. This enraged me, and I hit him hard. I heard the whistling in the air and saw his look of astonishment when the blow struck his ear. Stupid dog, stupid dog, whom Mario had given as a puppy to Gianni and Ilaria, who had grown up in our house, had become an affectionate creature—but really he was a gift from my husband to himself, who had dreamed of a dog like that since he was a child, not something wished for by Gianni and Ilaria, spoiled dog, dog that always got its own way. Now I was shouting at him, beast, bad dog, and I heard myself clearly, I was lashing and lashing and lashing, as he huddled, yelping, his body hugging the ground, ears low, sad and motionless under that incomprehensible hail of blows.
“What are you doing?” the woman murmured.
When I didn’t answer but continued to hit Otto, she hurried away, pushing the carriage with one hand, frightened now not by the dog but by me.
12.
W hen I became aware of her reaction I stopped. I looked at the woman, who was almost running along the path, raising the dust, and then I heard Otto whining unhappily, his head between his paws.
I threw away the whip, crouched down beside him, caressed him for a long time. What had I done to him. I had decomposed, as if exposed to an acid, within the perception of a poor disoriented animal. I had struck the brutal blow of what comes randomly. I had upset the stratified structure of experience, and now everything was a capricious flux. Yes, poor Otto, I murmured, over and over again, yes.
We returned home. I opened the door, went in. But the house didn’t feel empty, someone was there.
Otto darted quickly down the hallway, recovering energy and cheerfulness. I ran to the children’s room, they were sitting on their beds, their schoolbags on the floor, with a look of perplexity. I checked the time: it had happened—I had forgotten about them.
“What’s that bad smell?” asked Gianni, pushing away Otto’s greetings.
“Insecticide. We have ants in the house.”
Ilaria complained:
“When do we eat?”
I shook my head. Dimly in my mind was a question, and meanwhile I explained aloud to the children that I hadn’t gone shopping, I hadn’t cooked, I didn’t know what to give them to eat, it was the fault of the ants.
Then I gave a start. The question was:
“How did you get into the house?”
Yes, how had they got in? They didn’t have keys, I hadn’t given them keys, I doubted that they would know how to deal with a lock. And yet there they were in their room, like an apparition. I hugged them with excessive force, embraced them to be sure that it was really them in flesh and blood, that I wasn’t talking to figures made of air.
Gianni answered:
“The door was partly open.”
I went to the door and examined it. I found no sign of forced entry, but that wasn’t surprising, the lock was old and would be easy to open.
“There was no one in the house?” I asked the children, in dismay, and meanwhile I thought: what if the burglars had been surprised by the children and now were hiding somewhere?
I went through the house keeping the children close to me, reassured only by the fact that Otto followed us, dashing around, without showing any sign of alarm. I looked everywhere, no one. Everything was tidy, clean, there was no trace even of the ants.
Ilaria persisted:
“What is there to eat?”
I made a frittata. Gianni and Ilaria devoured it, I nibbled on some bread and cheese. I ate distractedly, distractedly listened to the chatter of the children, what they had done at school, what that friend had said, who had been mean to them.
Meanwhile I thought: burglars root around everywhere, they overturn drawers, if they don’t find anything to steal they take revenge by shitting on the sheets, peeing throughout the house.
Richard Blanchard
Hy Conrad
Marita Conlon-Mckenna
Liz Maverick
Nell Irvin Painter
Gerald Clarke
Barbara Delinsky
Margo Bond Collins
Gabrielle Holly
Sarah Zettel