get it back under control. In the backseat, Kelly was screaming. She was getting thrown around back there, trying desperately to find something to hold on to. They went through four more turns before Jacob finally started to yell, âChelsea, slow down! Youâre gonna get us killed.â
But Chelsea was too terrified to back off. Her eyes were wide and she was panting. She kept saying, âNo, no, no!â over and over again, completely out of control.
Jacob grabbed for the wheel. âChelsea, stop!â He yelled in her ear. âChelsea!â
She looked at him then, and he could see the light of clarity coming back into her eyes. âJacob?â
âYeah, now slow it down. Thatâs it, thatâs good.â
Chelsea eased the car down and steered through the streets.
âWhere are we going?â Jacob asked.
Chelsea shook her head. âI donât know.â The look of panic flooded back into her face and Jacob felt the car tremble as she dug deeper into the throttle.
âEasy,â Jacob said. âChelsea, easy. Pull over, okay?â
âWe have to get out of here.â
âI know,â Jacob said. âBut for right now, just pull over.â
Chelsea eased the car to the curb. She looked like she was about to say something, but then the stress and fear and panic all caught up with her and she collapsed, her chin sagging to her chest, making her look like a balloon going flat. She put her face in her hands and cried.
Jacob glanced at Kelly in the backseat and shrugged. Kelly leaned forward and put a hand on Chelseaâs shoulder. âChelsea, baby, what is going on? Who were those men?â
Chelsea just shook her head.
âWhy were they after you?â
âI donât know.â
Jacob picked up the pistol heâd taken from Chelseaâs attackers and tried to find a brand name on it someplace. There was none. âThis weapon . . . Iâve never seen anything like it. Where were they taking you?â
âI donât know,â she said again. She was starting to whine. âStop asking me.â
Kelly squeezed the younger womanâs shoulder again and said, âChelsea, please, you have to tell us whatâs going on. Weâre caught up in this, too, now.â
Chelsea took a few deep breaths. Her face was shiny with tears and her eyes bloodshot. She wiped her nose with the back of her hand, then took the pistol sheâd taken off her attackers and handed it to Jacob. âYou keep that,â she said. âI . . . I canât.â
âChelsea,â Kelly said, âthose men. What do you mean, they are enemies of your father? You told us your parents both died when the Darwin crashed.â
âThey did.â
âI donât understand. If your fatherâs dead, why would those men be after you?â
âDo you remember the notebooks I showed you, back on the Darwin ?â
âYes, of course. Your fatherâs work on morphic field theory.â
âI took them. Those men want them back.â
Kelly frowned. âChelsea, I read those notebooks. Your father had pretty much figured out how morphic fields could be used to control zombie behavior. Thatâs a huge discovery. Why would anyone want to kill you for that? Wouldnât they want the world to see it? A lot of lives could be saved.â
âThatâs not it,â Chelsea said, shaking her head. âMorphic field theory is the technological basis of our society. It runs our aerofluyts and powers our cities. Itâs even powering this car. But thereâs a downside, and itâs a big one. My fatherâs work showed that morphic fields were doing more harm than good. Theyâre cooking us from the inside out and changing the structure of our brains. My father predicted weâd have the collective thinking power of a turnip within two generations. A lot of people make a lot of money off of morphic field power. My
ADAM L PENENBERG
TASHA ALEXANDER
Hugh Cave
Daniela Fischerova, Neil Bermel
Susan Juby
Caren J. Werlinger
Jason Halstead
Sharon Cullars
Lauren Blakely
Melinda Barron