call down to a series of relay stations. The rest of it, account information and so forth, was a breeze.â
âWell, the account information doesnât help us. We know where to find Nabeshima. What about the caller?â
âI can get you within two kilometers.â
âTwo kilometers? Thatâs no good.â
âThatâs good enough,â Suzuki murmured.
âThatâs good enough,â Yumi repeated. âWalk around asking for the foreigner. Pretend to be a deliveryÂman.â
âNewspaper salesman,â Takuda and Mori said almost in unison.
âI need my phone,â Yumi said. âIâll have to go to work in a few minutes. Thereâll be no time for shopping this morning, Priest.â
He nodded, but he clearly wasnât listening.
When Mori hung up and Yumi left for work, Suzuki sat in thought for several minutes.
âYou said that this foreigner said something was missing, that someone had stolen something from him.â
âWhat of it?â
âHe didnât say what it was? He didnât say anything about a jewel? A big curved jewel?â
Hair stood up on Takudaâs neck. âA curved jewel? He was just angry about something stolen. Why would you ask me about a curved jewel?â
âBecause there are no coincidences. Not in our line of work.â Suzuki went to his room and returned with a sheet of onionskin paper. âIf you find the foreigner, or find his house, keep an eye out for this.â
Takuda took the page. The onionskin was crisp and new, as if Suzuki had just pulled it from a pad before folding it. It was an ancient curved jewel, like the dark half of a yin-Âyang symbol. A single notation in the lower right-Âhand corner: Black as night. Inner curve is razor-Âsharp. This is the actual size. If the curved jewel really were as large as the drawing, it would be too heavy to wear, too heavy for personal ornamentation.
He sighed. âThe foreigner was asking about a Kurodama.â
The priest shook his head. âCoal is too brittle to be shaped like this.â
âBut itâs black, it says here. Black as midnight. A black jewel, a Kurodama.â Takuda compared the drawing to the span of his hand. âAncient curved jewels werenât like this. This is huge.â
âNo, actually, some curved jewels were quite large, but this one is different in other ways. Itâs a tighter curve, like a comma from an English font, a half-Âcircle, and it comes to a definite point. A very sharp point. The inner curve of the tail is also razor sharp, or it was.â
âPriest, youâve seen this thing.â
âIâve heard of it, years ago, from my father. This sheet showed up in my begging bowl. I didnât see who put it there. There was another sheet, but I donât know where it is. Look, there will be characters incised right here, along the blade . . . or the tail, I should say.â Suzuki pointed out rough and angular pictographs.
Takuda squinted at the characters. They were so rough and random-Âlooking he had thought they were just bad shading on the sketch. He handed the page back to Suzuki. âIs it some sort of ceremonial knife?â
Suzuki folded it into a small, tight packet. âCeremonial knife is one way to put it,â he said. âItâs the fang of the Devouring God.â
Â
CHAPTER 8
Wednesday Evening
W ith Otaâs consent, Takuda took Mori along on the next shift at the mental health satellite office. The shift started with their witnessing an argument.
âThere are just too many foreigners in this area. Just on the main rail line between here and the city, I see a new language school almost every week. All these foreigners have students they may be attracted to.â Detective Kimura looked around the room, his long hair swaying slightly. Nabeshima returned his gaze. It was after hours, and she had been prepared to go
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