The Dick Gibson Show

The Dick Gibson Show by Stanley Elkin

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Authors: Stanley Elkin
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crisp in the fire, his wife raped and slain, his father struck down by the lightning or fallen into the thresher.
    After these performances he waited to hear from some angry Credenza, not even returning to the transmitter shack when his relief man came for fear they would phone the moment he left the station and not wanting to add anything to their already considerable rage should they miss him. So he sat by the telephone to wait for their call.
    It didn’t come.
    Nor did it come the next day or even the next time he lost control of himself and, too keen, keened the ferocious grief of his mistakes. He knew, of course, that he was vulnerable now, that this time he would surely hear from the Credenzas. When he didn’t he realized that they were giving him not leeway but rope. He took their unspoken hint and went the other way entirely. To save himself he went the way they had told him not to go. Now when he came to those bulletins he laughed openly: “Early this morning—along the Lake Baxter rim road—a car with two pa-ha ha-hass-engers went out of contro-ho ho—l, and h-hit a t—a tee—a tee hee—tree. The passengers, Ha-ha-ha-rrr— ho ho—ld, Ha-ha rold and Haw-haw Hortense Sn-sn-snick, were be- ha ha-headed.” The engineer stared at him. “It’s seven minutes after four,” he ad-libbed. “It’s seven minutes after four.”
    Still the call did not come. It was clear; they meant him harm. He returned to the shack as soon as he was finished with his shift and asked if there had been any calls for him. The transmitter man did not even look up.
    “Have there?”
    “The injuns want you to their picnic,” the man said.
    Still frightened, but made willful by his fear, he determined to force a confrontation, convinced that only through a showdown could he ever hope to negotiate his brotherhood with the Credenzas. He eliminated from his repertoire all those human interest stories they loved, and selected only bad news to read. He gave it euphorically, blithe as Nero. Some Credenza cattle had come down with disease. A few had already died. He gave the news of these fatalities with a chipperness nothing less than ecstatic. He’d heard from one of the hands that when disease had broken out on a ranch he had once worked in Texas, the herd had to be shot. He took this gossip and repeated it over the air. “An undisclosed but reliable source high up in Credenza management,” he said, “is already speculating that the entire herd may have to be slaughtered.” He added that it was better economics to cut one’s losses at once than to drag out hope, meanwhile spending more on feed each day for the sick beasts.
    He seized on every rumor available to him—desultory talk among the farmers about the expectation of a severe winter, random chatter of a decline in the price of dairy or a dip in grains—and presented it as the hard inside information of experts. If rye prices were expected to be disappointing, he carefully pointed out that the Credenza interests were heavily overextended in rye. His weather reports were jeremiads. If the sun was shining in northeast Nebraska he found a storm gathering in western Canada and spoke darkly of the prevailing gravity of weatherflow, its southern and easterly shift from its fierce source in the Bering Strait.
    The engineers and transmitter men and the other announcer, silent as the Credenzas, pretended to ignore his new antics. He supposed that they were under instruction, that the Credenzas, fearful of tipping their hand, wanted him to continue for a while in his fool’s paradise.
    “At the time of the tone,” he announced on his record show, “it will be three-thirty.” Then he coughed brutally into the open mike, dredged up phlegm from deep in his chest, and made the lubricious rattle preparatory to spitting. “It’s three-thirty. It’s three-thirty.”
    And often when he played his records now he deliberately kept the key open on his table microphone, thus adding even

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