for a necklace or a watch, something they could pawn at Mr Franklinâs establishment on Central Avenue. Just for a moment, as he prodded and jabbed at one particular rock with his sharp stick, Vasco looked younger, looked the age he actually was, an age that Tip and Scraper were never allowed to see. The three tombstones on his left shoulder, that was how old people thought he was. Jed looked into the tattoos as if they were windows and suddenly, standing in the stench of the river, he had the feeling that he could see into Vasco, see what was coming.
Then Vasco straightened up. âTell me something,â he said. âHow did you get the idea?â
Jed shrugged. âI donât know. It just came to me.â
âYouâre dangerous,â Vasco said. âYou need watching.â
âLucky Iâm on your side then, isnât it?â
Vasco scooped up a handful of river-mud and flung it in Jedâs direction. Jed ducked and, grinning, showed Vasco his crimson devilâs mouth. But the grin faded as his thoughts turned to his mother, the last four years, their uneasy truce. She was still bringing men home with her, but defiantly now, as if she wanted him to witness it and disapprove. To Jed, these men of hers were all one man, their boots shifting on the carpet, their bodies too big for the rooms; they reminded him, curiously enough, of his brother, Tommy. He stared at them and ignored them, both at the same time. Heâd become an expert at the look. Ten years later it would serve him well.
âItâs not easy living there.â He took Vascoâs stick and jabbed at a rock.
Vasco looked at him sideways. âWhy donât you move out?â
âWhere to?â
âPlenty of room at my place.â
It was winter and the air was sharp. Everything you looked at seemed cut out with scissors. The light fell in blue-and-yellow twists on the surface of the river. Jed could see Sweetwater on the far bank, a plane scorching the air as it lifted over the rooftops. He could almost feel the house shake. He could almost smell the nail polish.
He looked at Vasco. âWhat about your parents?â
âI havenât got any.â
âYou must live with someone.â
âMy sister, but sheâs hardly ever there. Otherwise thereâs only Mario and Reg. But theyâre both senile.â
âSenile? Whatâs that?â
âMeans when youâre nearly dead. Youâre still alive, but only just ââ
Jed stopped listening. He was thinking of the men who were all one man doing one thing. He was remembering his motherâs face in her dressing-table mirror. He was imagining her toss his radios casually into oblivion. And he knew then that Vasco was right. But still something reached across the river, something stretched out like arms and tried to claw him back. He didnât know what it was. He took a step backwards, slipped on the mud and almost fell.
âCourse there wonât be anyone for you to record fucking. My sister does all her fucking at her boyfriendâs. And Mario and Reg, theyâveprobably never fucked in their lives.â Vasco spread his hands. âSo what do you say?â
Jed nodded, grinned. âDoes it need saying?â
Vasco bought a bottle of vodka to celebrate and they drank it in the old sailorsâ graveyard in Mangrove South. This was where the funeral business had first put down its roots. Over the wall, between two warehouses, Jed could just make out the Witchâs Fingers, four long talons of sand that lay in the mouth of the river. Rumour had it that, on stormy nights a century ago, they used to reach out, gouge holes in passing ships, and drag them down. Hundreds of wrecks lay buried in that glistening silt. The cityâs black heart had beaten strongly even then. There was one funeral director, supposedly, who used to put lamps out on the Fingers and lure ships to their doom. Times had
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