a total of 225 sheets and therefore 450 pages. The book is so large that only two sheets could be obtained from each calfskin, and therefore 113 calfskins went into the making of the book. Of these, 101 went into the main section, which was written in Vídidalstunga, and then another twelve went into the additional material, which was written in Reykhólar nine decades later. This double-fold sheet is called a folio, but if the calfskin is folded in four it is known as a quarto. The sheets are about forty-two centimeters long and twenty-nine centimeters wide. The preparation of the skin used in the Flatey Book required a great deal of labor, tanning, shaving, and scraping for it to be turned into usable vellum. It can therefore be said that the book is the work of many hands. There are no accounts of this work, so the methods used are unknown. The technique used was probably similar to the one applied to tanning on the mainland, although less lime was probably used…”
CHAPTER 9
Friday, June 3, 1960
K jartan woke up to repeated cockcrows from the village below. It took him some time to remember where he was and identify the sound. The bed lay under a sloping ceiling, and opposite the headrest a color photograph had been blue-tacked to the wall. The picture was probably of a Norwegian fjord with a big modern ferry set against a backdrop of forested hills and cliffs.
He heard the cockcrow again and knew it was time to get up, but he was paralyzed by a heavy sense of dread. It was a familiar feeling that sometimes hit him at the beginning of a day, particularly when he was forced to venture into the unknown. But he tried to bite the bullet and shake it off. His shyness and social phobias were the two things that plagued him the most in life. He therefore did his utmost to avoid situations that brought him into too much contact with strangers. But now that he’d been saddled with this assignment that took him from one stranger to another, he had no say in the matter.
Three fat bluebottles buzzed against the windowpane by the top of his bed. He stood up and gazed through the glass. Two kids were rounding up a black sheep and a lamb in a field on the western side of the island. They were within earshot, and their voices could be heard calling when the ewe turned against them and refused to be led. The sky was slightly overcast but sunny.
Kjartan got dressed and climbed down the almost vertical staircase from the loft. A strong fragrance of coffee wafted through the kitchen, and the mistress of the household was hanging up washing on the line in the level yard in front of the house. She was dressed in the same woolen clothes she’d worn the day before and was wearing her striped apron. A girl of about eight years of age stood by her side and handed her pegs, which she fished out of an old can of paint.
Kjartan grabbed the pot of coffee on the stove and poured himself a cup. He then walked outside and looked down at the village. The tide was coming in, and the cluster of houses were reflected in the sea that was filling the cove below the embankment. A number of inhabitants could be seen wandering between the houses, and no one seemed to be in a hurry. Those whose paths crossed paused to chat, both young and old. It was more the hens that seemed to be in a hurry as they darted between the gardens of the houses. Despite the sunshine, there was a breeze and it was quite chilly.
“Good morning, young man,” Ingibjörg said when she noticed Kjartan had come out.
“Good morning.”
“We still have dry weather.”
“Hmm, yeah.”
Ingibjörg finished hanging up the last garment.
“We’re still far from the haymaking season, of course, but it would be good to be able to dry the eiderdown in the sunshine,” she said.
“Hmm, really? Where is Grímur anyway?” Kjartan asked.
“They went out at the crack of dawn to check on the seal nets. They should be back by noon.”
“Right.”
“Grímur put up your
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