The Fountainhead by Ayn Rand Page B

room, where Keating found himself with a set of plans to expand, the scraggy back of the chief draftsman retreating from him in the unmistakable manner of having forgotten his existence.
    Keating bent over his task at once, his eyes fixed, his throat rigid. He saw nothing but the pearly shimmer of the paper before him. The steady lines he drew surprised him, for he felt certain that his hand was jerking an inch back and forth across the sheet. He followed the lines, not knowing where they led or why. He knew only that the plan was someone’s tremendous achievement which he could neither question nor equal. He wondered why he had ever thought of himself as a potential architect.
    Much later, he noticed the wrinkles of a gray smock sticking to a pair of shoulder blades over the next table. He glanced about him, cautiously at first, then with curiosity, then with pleasure, then with contempt. When he reached this last, Peter Keating became himself again and felt love for mankind. He noticed sallow cheeks, a funny nose, a wart on a receding chin, a stomach squashed against the edge of a table. He loved these sights. What these could do, he could do better. He smiled. Peter Keating needed his fellow men.
    When he glanced at his plans again, he noticed the flaws glaring at him from the masterpiece. It was the floor of a private residence, and he noted the twisted hallways that sliced great hunks of space for no apparent reason, the long, rectangular sausages of rooms doomed to darkness. Jesus, he thought, they’d have flunked me for this in the first term. After which, he proceeded with his work swiftly, easily, expertly—and happily.
    Before lunchtime, Keating had made friends in the room, not any definite friends, but a vague soil spread and ready from which friendships would spring. He had smiled at his neighbors and winked in understanding over nothing at all. He had used each trip to the water cooler to caress those he passed with the soft, cheering glow of his eyes, the brilliant eyes that seemed to pick each man in turn out of the room, out of the universe, as the most important specimen of humanity and as Keating’s dearest friend. There goes—there seemed to be left in his wake—a smart boy and a hell of a good fellow.
    Keating noticed that a tall blond youth at the next table was doing the elevation of an office building. Keating leaned with chummy respect against the boy’s shoulder and looked at the laurel garlands entwined about fluted columns three floors high.
    “Pretty good for the old man,” said Keating with admiration.
    “Who?” asked the boy.
    “Why, Francon,” said Keating.
    “Francon hell,” said the boy placidly. “He hasn’t designed a dog-house in eight years.” He jerked his thumb over his shoulder, at a glass door behind them. “Him.”
    “What?” asked Keating, turning.
    “Him,” said the boy. “Stengel. He does all these things.”
    Behind the glass door Keating saw a pair of bony shoulders above the edge of a desk, a small, triangular head bent intently, and two blank pools of light in the round frames of glasses.
    It was late in the afternoon when a presence seemed to have passed beyond the closed door, and Keating learned from the rustle of whispers around him that Guy Francon had arrived and had risen to his office on the floor above. Half an hour later the glass door opened and Stengel came out, a huge piece of cardboard dangling between his fingers.
    “Hey, you,” he said, his glasses stoppping on Keating’s face. “You doing the plans for this?” He swung the cardboard forward. “Take this up to the boss for the okay. Try to listen to what he’ll say and try to look intelligent. Neither of which matters anyway.”
    He was short and his arms seemed to hang down to his ankles; arms swinging like ropes in the long sleeves, with big, efficient hands. Keating’s eyes froze, darkening, for one-tenth of a second, gathered in a tight stare at the blank lenses. Then Keating