The Friar and the Cipher

The Friar and the Cipher by Lawrence Goldstone

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Authors: Lawrence Goldstone
Tags: Fiction
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Mundi,
the wonder of the world. He traveled with a menagerie of exotic animals and birds, including leopards, panthers, bears, peacocks, doves, ostriches, a giraffe on a chain, and an elephant with a small tower on its back. He had slaves in silk, wagons of treasure, a variety of bric-a-brac rendered in gold and precious jewels. He had a harem and an army of Saracen slaves. For dinner he ate figs, dates, and nuts, all unknown to the northern palate. Northern European visitors were stunned by the opulence and Byzantine grandeur of his court. He might have been the emperor of Christendom, but he looked like the Sultan of Baghdad.
    This appearance was no coincidence, because in his heart he was much more Arab than Hohenstaufen. Perhaps because he was the only Christian ruler with a firsthand knowledge of the Arab Empire, the only one to have actually met one of his Arabian counterparts, the only one to exchange letters and gifts, he was also the only one to really appreciate how advanced Arab civilization had become—to dare to think it more advanced than Christendom.
    Frederick was personally the most educated monarch in Europe. He was conversant in at least seven languages and could read three or four. He devoured classics that had been translated in the previous century, and his knowledge of mathematics was superior to that of almost any scholar in Europe. He sent such complicated geometry problems to the sultan of Damascus that the sultan was forced to pass them on to his most advanced Egyptian mathematicians for solution. Another sultan, noting the emperor's interest in science, sent Frederick the gift of an astrolabe, used for measuring the altitude of the sun and the stars. Frederick was the only ruler in Europe to write his own book, called
On the Art of Hunting with Birds
. In it, he carefully detailed precise observations of different species and their habits, including migratory patterns. He once had a vulture's eyes sewn shut to test whether the birds hunted by sight or by smell.
    He was so consumed by the new learning that in 1224 he established his own university at Naples on the Italian mainland and actively recruited scholars, poets, painters, and scientific thinkers to his court for the purpose of translating and studying scientific works. One of these, an English astrologer, would be as responsible as anyone in history for bringing the blessing and curse of Aristotle to Europe.
    Michael Scot had been a translator in Toledo before relocating to Frederick's court. He was equal parts scientist, philosopher, and quack. Frederick was so impressed with Michael's knowledge of Arab scholarship that he appointed him court astrologer and general all-around sage. With the emperor's encouragement, Michael Scot practiced alchemy and conducted experiments, detailing his observations in a scientific manner. *1
    Michael Scot's most important contribution, however, was his translation into Latin from Arabic of Aristotle's works on natural science, the
libri naturales,
such treatises as
On the Parts of Animals, On the Generation of Animals,
and the
Physics
. He also translated more provocative texts—the
Metaphysics, On the Heavens,
and
Ethics
. More than that, he included his own translations of the commentaries of Avicenna and Averroës.
    These were just the sort of secular subjects that Frederick held dear and Rome feared. Michael's translations made their way to Paris, and would be the very translations later used by Albertus Magnus and Bacon himself to propound their views on experimental science. “Although only some of his works on logic and certain others have been translated from Greek by Boethius, yet from the time of Michael Scotus, whose translations with authentic expositions of certain parts of Aristotle's works on nature and metaphysics appeared in the year of our Lord 1230, the philosophy of Aristotle has grown in importance among the Latins,” Roger Bacon was to write later.
    The combination of Michael Scot's

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