positive. The best a woman could achieve, it was said, was to be neither seen nor heard.
Such anonymity was not for Aspasia, though. She was seen, and definitely heard. She is rumored to have written some of Pericles’s speeches, including his famous Funeral Oration. Aspasia was a feminist about twenty-four hundred years before feminism and the unsung hero of the Athenian flourishing. As I would later discover, these sort of invisible helpers are essential to a golden age. These are people who work behind the scenes, sometimes quite heroically, to make genius happen.
“The people of Athens feared her,” says Alicia, her tone of voice belying that, as far as she is concerned, that was a good thing. A very good thing.
----
The next morning my alarm clock goes off and I curse Plato. He was a brilliant philosopher, one of the greatest thinkers of all time, but he alsoinvented the water clock, an ingenious but diabolical device that utilized water pressure to sound an alarm. Plato’s clock was also used to time political meetings; thus the common complaint about long-winded orators who gave speeches that were “nine gallons long.”
Plato’s water clock represents a rare example of Greek technology. Today we associate innovation almost exclusively with technology, but that was not the case in Ancient Greece. They had slaves to perform menial tasks and so had little incentive to invent time-saving devices. Pursuing new technologies was considered “trivial and unworthy,” says Armand D’Angour, a classicist at Oxford University. To be a tinkerer or inventor in ancient Athens was to be relegated to the lowest rung on the social ladder, and to toil anonymously.
The kleroterion , for instance, was an ingenious device, used to randomly select jurors, yet nowhere do we find even a mention of the inventor’s name, let alone any Steve Jobsian folklore surrounding him. Should a Silicon Valley technokind suddenly materialize in ancient Athens, he would be treated like any other craftsman, with a puny salary, no recognition, and, when his back was turned, a derisive sneer. He was working with his hands, making things ; he was not a warrior or an athlete or a thinker. An ancient-Greek Steve Jobs would have died penniless and unsung.
I turn off the snooze button—a feature that never occurred to the genius Plato—and scramble downstairs to the Bridge, where I annex a table, order a coffee, and plan my attack du jour on the Great Athenian Mystery. Socrates, I’m beginning to suspect, holds the key. He claimed neither wisdom nor followers. All he did was ask a lot of annoying questions. Just like me, I think, and smile. Yes, a conversation seems fittingly Socratic, but with whom?
Brady. You must call Brady . That’s what everyone says. If you want to understand Socrates and Athens, ancient or otherwise, Brady is your man, they assure me.
Every city has a Brady. Often the Brady is an expat, but not always. Sometimes the Brady is a local. Either way, the Brady has so absorbed the sinew and marrow of a place, so thoroughly inhaled its essence, thatit’s impossible to discern where the place ends and the Brady begins. For someone such as myself, trying to grasp a place as complex and confounding as Athens, a Brady is indispensable.
So I call the Brady, who turns out to be a former US diplomat, and a kind of genius, too. He invites me to his apartment, to a symposium. Well, okay, it’s a dinner party, but since this particular dinner party is taking place in the storied Plaka district of Athens and not, say, Brooklyn, I prefer to call it a symposium because, let’s face it, symposium sounds a lot more intriguing than dinner party . It certainly sounds more Greek.
The symposium— literally “to drink together”—was a centerpiece of life in old Athens, and Socrates was a regular. Food was served, but that was almost beside the point. The main draw was the entertainment, which consisted of “anything from good talk and
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