shriek. Two men jumped up from their seats, as if there were debris falling on them from above. Another man stood up and was staring down at a whitish mess dripping from his tuxedo pants. It was difficult at first to discern what, exactly, had happened.
Then it all became clear: Gary A. Jackman, the Newark Eagle-Examiner’ s dandy, brass-balled publisher, had thrown up on the guy next to him.
* * *
Once Jackman was escorted out and order was restored, the actual performance began and things got a lot less interesting. The orchestra was from somewhere in Europe—the Netherlands, perhaps, or maybe Belgium … I honestly don’t know how anyone (besides the Dutch and the Belgians) keeps those two countries straight.
After the first piece, Tina was chirping about how some well-respected music magazine—not Rolling Stone, apparently—had named the orchestra the best in the world. They certainly passed the Carter Ross Classical Music Test: I drifted off during the first movement of the second piece. Call me boorish or uncultured, but I’ve always found falling asleep at the symphony to be one of life’s greater pleasures. And if you look around at any of your finer concert halls, you’ll see I’m not alone.
At intermission—or, as I delighted in calling it, “halftime”—I convinced Tina we had received enough refinement for one night and that, as newspaper people, it was time to get back in touch with our more populist roots. So we snuck out and made our way down the street to Kilkenny Alehouse, a comfortable establishment with a beautiful wooden bar, an array of flat-screen televisions, and a plethora of beer on tap. My kind of place.
Tina stuck with white wine as I bounced between ales. We put away several rounds, yammering about the miserable state of our chosen profession. But, at the same time, Tina and I had long since decided that if the ship was going to take us down, we might as well keep dancing on the decks until it slipped under the water.
Then we started trading war stories, remembering our brushes with disaster, recounting our triumphs. Even though the bar was all but empty on a Monday night, Tina and I had pulled our chairs together as if a crowd of people had forced us into close quarters. The contact was delicious. Tina’s legs kept brushing against mine. Her hands took turns resting on various parts of my person. And her brown eyes, which had gone just slightly watery as a result of the wine, glowed with particular intensity.
I wasn’t sure how many hours had passed by the time we teetered out. But a hot July day had given way to a pleasant, temperate summer evening. The air was so perfect—neither too hot nor too cold—it was almost like it didn’t exist. And a nearly full moon hung above us, large and lanternlike.
As we made our way down the street, toward a car neither of us had any business driving, Tina had draped herself on my right side, with one arm wrapped tightly around mine and a hand on my chest.
The next thing I knew, we had veered into the darkness of a small alleyway and we were kissing. It was unclear whether I had pinned Tina up against the brick wall or she had pulled me there. Either way, I had one arm wrapped around her, cushioning her against the bricks. My other hand was running up and down her side, making the wonderful journey from her upper thigh, to the curve of her hip, to her rib cage and then back again.
Her hands, meanwhile, were planted on my ass, which she was using as a handle to draw me even closer to her.
I had no idea what was happening, nor did I care to stop and examine it. Our mouths just felt too good together. She started letting out these little moans and I heard myself doing the same. My hand had reached her firm, small breast, which I could easily feel through the thin fabric of her dress. Tina had been grinding our lower bodies into each other, with the expected results, then separated just enough to begin fumbling with my belt
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