block letters, someone had inscribed, “SO THEY SHALL BE CONSUMED”. Miss Temple visibly started, as if someone had blown in her ear. The words had definitely not been there before.
She whirled around to the gallery seats again, looking for anyone hiding on their hands and knees. There was no one. Without delay she continued across to the first ramp and down it, rounding the corner to the door. It was closed. She put her head to the door and listened. She heard nothing—but this meant nothing, the doors were thick. Tired as she was of unnecessary stealth, she again turned the knob with excruciating patience and opened it just enough to peek through. She widened the opening, listened, heard nothing, and widened it again. Still nothing. Annoyance getting the best of her, Miss Temple opened the door completely, and gasped with shock.
Strewn across the floor were the tattered, savaged remains of her hooded cloak, her dress, her corset, and her undergarments—all slashed beyond repair, nearly beyond recognition. Even her new notebook had been destroyed—pages torn out and scattered like leaves, the binding snapped, the leather cover pitted and gashed. Miss Temple found herself shaking with outrage, and with fear. Obviously she had been discovered. She was in danger. She must escape. She would follow Roger another time, or she would engage professional operatives, men who knew their business—stout fellows who would not be so easily tricked. Her efforts had been ridiculous. They might well be her undoing.
She crossed to the wall of cabinets. Her own clothing was destroyed, but perhaps one of the others held something she could use to cover herself. They were all locked. She pulled with all her strength, to no avail. She looked around for anything to force the cabinet doors, to pry them open, but the room was bare. Miss Temple released a cry of guttural frustration, an unexpectedly plangent whine—which when she heard it herself, with a certain shock, made clear the true extent of her desperate position. What if she were discovered and her name made known? How could she distinguish herself from any of these other similarly clad women? How could she face Roger? She caught herself. Roger! It was exactly the thing to restore her resolve. The last thing she wanted was to be in any way subject to his scrutiny—the very thought of it filled her with rage. He filled her with rage. In that moment she despised Roger Bascombe and was newly determined to get free of this horrid predicament and then, at her leisure, dedicate herself to ruining him utterly. And yet, even in the act of imagining that ruin, and herself sneering in triumph above him, Miss Temple felt a stab of pity, of proprietary concern for what the foolish man had managed to become involved in—what depravity, what danger, what career-destroying scandal was he here so blithely courting? Was it possible he did not understand? If she were to somehow speak to him, could she apprise him of his peril? Could she at least divine his mind?
Miss Temple walked to the hallway door and opened it. The hallway seemed empty, but she craned her head out as far as she could, listening closely. One way took her back to the front, to the thick of the party and directly past—she assumed—other guests, servants, everyone. It would also take her to the coaches, if in her present costume she were able to get out of the house without being discovered, exposed, ridiculed, or worse. The other way took her deeper into the house, and deeper into danger but also deeper into intrigue. Here she might legitimately hope to find a change of clothing. She might find an alternative route to the coaches. She might even find more information—about Roger, about the woman in red, about the Lord in residence. Or she could find her own destruction. While Miss Temple posed the question to herself as one of “running away” versus “bravely pushing on” it was also true that going deeper into the
She whirled around to the gallery seats again, looking for anyone hiding on their hands and knees. There was no one. Without delay she continued across to the first ramp and down it, rounding the corner to the door. It was closed. She put her head to the door and listened. She heard nothing—but this meant nothing, the doors were thick. Tired as she was of unnecessary stealth, she again turned the knob with excruciating patience and opened it just enough to peek through. She widened the opening, listened, heard nothing, and widened it again. Still nothing. Annoyance getting the best of her, Miss Temple opened the door completely, and gasped with shock.
Strewn across the floor were the tattered, savaged remains of her hooded cloak, her dress, her corset, and her undergarments—all slashed beyond repair, nearly beyond recognition. Even her new notebook had been destroyed—pages torn out and scattered like leaves, the binding snapped, the leather cover pitted and gashed. Miss Temple found herself shaking with outrage, and with fear. Obviously she had been discovered. She was in danger. She must escape. She would follow Roger another time, or she would engage professional operatives, men who knew their business—stout fellows who would not be so easily tricked. Her efforts had been ridiculous. They might well be her undoing.
She crossed to the wall of cabinets. Her own clothing was destroyed, but perhaps one of the others held something she could use to cover herself. They were all locked. She pulled with all her strength, to no avail. She looked around for anything to force the cabinet doors, to pry them open, but the room was bare. Miss Temple released a cry of guttural frustration, an unexpectedly plangent whine—which when she heard it herself, with a certain shock, made clear the true extent of her desperate position. What if she were discovered and her name made known? How could she distinguish herself from any of these other similarly clad women? How could she face Roger? She caught herself. Roger! It was exactly the thing to restore her resolve. The last thing she wanted was to be in any way subject to his scrutiny—the very thought of it filled her with rage. He filled her with rage. In that moment she despised Roger Bascombe and was newly determined to get free of this horrid predicament and then, at her leisure, dedicate herself to ruining him utterly. And yet, even in the act of imagining that ruin, and herself sneering in triumph above him, Miss Temple felt a stab of pity, of proprietary concern for what the foolish man had managed to become involved in—what depravity, what danger, what career-destroying scandal was he here so blithely courting? Was it possible he did not understand? If she were to somehow speak to him, could she apprise him of his peril? Could she at least divine his mind?
Miss Temple walked to the hallway door and opened it. The hallway seemed empty, but she craned her head out as far as she could, listening closely. One way took her back to the front, to the thick of the party and directly past—she assumed—other guests, servants, everyone. It would also take her to the coaches, if in her present costume she were able to get out of the house without being discovered, exposed, ridiculed, or worse. The other way took her deeper into the house, and deeper into danger but also deeper into intrigue. Here she might legitimately hope to find a change of clothing. She might find an alternative route to the coaches. She might even find more information—about Roger, about the woman in red, about the Lord in residence. Or she could find her own destruction. While Miss Temple posed the question to herself as one of “running away” versus “bravely pushing on” it was also true that going deeper into the
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