make conversation.
“We have just seen the theatre. I must say it is impressive. I’m sure I don’t know how many it will seat compared to other such theatres in the city, but I am confident it must seat plenty—perhaps up to one hundred. The notion of so many attendees in such a relatively distant place is quite a testament to the work at hand, in my own opinion. I should find it satisfying to be a part of that endeavor, however much as a tangent, even as a distraction, even for only this evening alone—for surely the fineness of the facility must parallel the work done in it. Do you not agree?”
There was no reply. She continued—for this was often her experience in public conversation and she was perfectly able to press on, adopting the pose of the knowing veteran.
“I am also, of course, happy for any excuse to be wearing so much silk—”
She was interrupted when the man with the flask stood and crossed to the far door. He took another nip and stuffed the flask into his tailcoat as he walked, then opened the door and closed it behind him. Miss Temple looked at the remaining man, whose face in the interval had gone even redder, if that were possible. She wondered if he were in the midst of some kind of attack, but he smiled passively enough and continued to smoke. The door opened again and the man with the flask poked his head through, nodded to the man with the cigar, and disappeared from view. The man with the cigar stood and, smiling once more at them all—the gaze of each woman following him closely—crossed to the open doorway. “Any time you’re ready,” he said and walked out, closing the door behind him. A moment later Miss Temple heard the distinct sharp click of that door being locked. Their only path led back to the theatre.
“You’ve kept your shoes,” said one of the women, on the right.
“I have,” said Miss Temple. It was not what she wanted to talk about. “Have any of you been in the theatre?” They shook their heads no, but said nothing more. Miss Temple indicated the restraints, the bolts, the collars. “Have you looked at this room?” They blandly nodded that they had. She became almost completely annoyed. “He has locked the door!”
“It will be fine,” said the woman who had spoken before. Miss Temple was suddenly caught up—did this voice seem familiar?
“It is merely a room,” said the woman in the middle, kicking at one of the leather restraints hanging near to her leg. “It’s not what it is used for now .”
The others nodded blankly, as if no more needed saying.
“And what exactly would that be?” demanded Miss Temple.
The woman giggled. It was a giggle she’d heard before too. It was from the coach. This was the woman who’d let the men unbutton her dress. Miss Temple looked at the other two—seeing them in such different apparel, such different light—were they the pirate and silken woman whose eyes she had poked? She had no idea. She saw that they were smiling at her too, as if her question had indeed been very foolish. Were they drunk? Miss Temple stepped forward and grasped the woman’s chin, tilting her face upwards—which she passively, strangely, allowed—and then lowered her own face to the woman’s mouth and sniffed. She well knew what alcohol—particularly rum—smelled like, and its squalid influence. The woman wore perfume—sandalwood?—but there was another odor that Miss Temple did not recognize. It was not alcohol, or indeed anything she had smelled before—nor, further, did the odor emanate from around the woman’s mouth (again occupied with giggling), but higher on her face. The odor was vaguely mechanical, almost industrial, but it wasn’t coal, nor rubber, nor lamp oil, nor ether, nor even burnt hair, though it seemed adjacent to all of these unpleasant smells joined together. She could not place it—not in her mind, nor on the woman’s body—was it around her eyes?—behind the mask? Miss Temple released her and
“We have just seen the theatre. I must say it is impressive. I’m sure I don’t know how many it will seat compared to other such theatres in the city, but I am confident it must seat plenty—perhaps up to one hundred. The notion of so many attendees in such a relatively distant place is quite a testament to the work at hand, in my own opinion. I should find it satisfying to be a part of that endeavor, however much as a tangent, even as a distraction, even for only this evening alone—for surely the fineness of the facility must parallel the work done in it. Do you not agree?”
There was no reply. She continued—for this was often her experience in public conversation and she was perfectly able to press on, adopting the pose of the knowing veteran.
“I am also, of course, happy for any excuse to be wearing so much silk—”
She was interrupted when the man with the flask stood and crossed to the far door. He took another nip and stuffed the flask into his tailcoat as he walked, then opened the door and closed it behind him. Miss Temple looked at the remaining man, whose face in the interval had gone even redder, if that were possible. She wondered if he were in the midst of some kind of attack, but he smiled passively enough and continued to smoke. The door opened again and the man with the flask poked his head through, nodded to the man with the cigar, and disappeared from view. The man with the cigar stood and, smiling once more at them all—the gaze of each woman following him closely—crossed to the open doorway. “Any time you’re ready,” he said and walked out, closing the door behind him. A moment later Miss Temple heard the distinct sharp click of that door being locked. Their only path led back to the theatre.
“You’ve kept your shoes,” said one of the women, on the right.
“I have,” said Miss Temple. It was not what she wanted to talk about. “Have any of you been in the theatre?” They shook their heads no, but said nothing more. Miss Temple indicated the restraints, the bolts, the collars. “Have you looked at this room?” They blandly nodded that they had. She became almost completely annoyed. “He has locked the door!”
“It will be fine,” said the woman who had spoken before. Miss Temple was suddenly caught up—did this voice seem familiar?
“It is merely a room,” said the woman in the middle, kicking at one of the leather restraints hanging near to her leg. “It’s not what it is used for now .”
The others nodded blankly, as if no more needed saying.
“And what exactly would that be?” demanded Miss Temple.
The woman giggled. It was a giggle she’d heard before too. It was from the coach. This was the woman who’d let the men unbutton her dress. Miss Temple looked at the other two—seeing them in such different apparel, such different light—were they the pirate and silken woman whose eyes she had poked? She had no idea. She saw that they were smiling at her too, as if her question had indeed been very foolish. Were they drunk? Miss Temple stepped forward and grasped the woman’s chin, tilting her face upwards—which she passively, strangely, allowed—and then lowered her own face to the woman’s mouth and sniffed. She well knew what alcohol—particularly rum—smelled like, and its squalid influence. The woman wore perfume—sandalwood?—but there was another odor that Miss Temple did not recognize. It was not alcohol, or indeed anything she had smelled before—nor, further, did the odor emanate from around the woman’s mouth (again occupied with giggling), but higher on her face. The odor was vaguely mechanical, almost industrial, but it wasn’t coal, nor rubber, nor lamp oil, nor ether, nor even burnt hair, though it seemed adjacent to all of these unpleasant smells joined together. She could not place it—not in her mind, nor on the woman’s body—was it around her eyes?—behind the mask? Miss Temple released her and
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