hands as they smooth the thin material, faster and ever faster. “What is it, Vera?”
Vera just turns away, rubs her fingers over the blue dress. Boletta kneels in front of her daughter and presses her hand in Vera’s lap to make her stop what she’s doing. She was almost becoming annoyed and felt like shaking Vera, but this day of all days was not fit for being cross or for scolding. Instead she tries to laugh. “The Old One has found a bottle of Malaga behind all the Hamsuns, but she won’t drink it before she’s wearing her dress. Are you coming?” Vera turns slowly toward her mother and smiles. Her lips and whole face are twisted, her left cheek is all swollen. She has a cut on her temple, under her hair. But it’s her eyes that are worst. They are huge and clear, and they focus on nothing and nowhere.
Boletta almost screams. “My dearest love. What on earth has happened?” Vera just hums. She tilts her head to one side and keeps humming. “Have you fallen? Did you fall on the stairs? My love, say something, Vera!” Vera closes her eyes and smiles. “Remember to let the dove out,” she says. Then Boletta realizes that the new dress is damp and sticky. She lifts her hand. Her fingers are dark with blood. “The dove? Which dove?”
But Vera makes no answer. Vera, our mother, has withdrawn into silence and utters not another word for eight months and thirteen days. Remember to let the dove out, those are the last words she speaks. Boletta gazes up as the blood drips from her hand. The sun has long gone from the attic window. Instead shadow, like a pillar of dark dust, falls jagged through the room. And on the clothesline right above them the gray bird sits motionless.
Boletta shakes her hand. “Good Lord! What have you done with all this blood!” Vera leans against her mother, who lifts her carefully and carries her through the corridor and down the stairs. Sheer terror has made Boletta, small soul that she is, strong and frantic. One of them is crying, or perhaps they both are, and Vera will not let go of the blood-drenched dress. The clothespins spill from her apron pocket with every step that her mother takes, and they lie strewn behind them. But it doesn’t bother Boletta; she can pick them up again when she goes to fetch the clothes basket, which is still in the drying loft. And I remember the bird we found inside the storeroom one night, Fred and I; a hard and dried-up dove, like a mummy with feathers, that time when Fred had bought himself a coffin and wanted to practice dying. But all that’s still far away.
The Ring
The Old One stood by the white sideboard in the pantry and poured equal measures — to the last drop — into three wide glasses, for Vera was old enough now to drink Malaga, indeed all those who had survived a world war deserved at least one Malaga. The smell of the dark, flowing flower of 1936 made her dream of Copenhagen’s harbors — decks of ships, sails, hawsers and cobbles — it was as if the mere scent of it could conjure up each image from her shadowy memories. The Old One thumped the table and wept a little for sheer joy This was a sorrowful joy! Underwear notwithstanding, she proposed three toasts — one to him who had been lost in the ice, one that she might never forget him, and one, finally, to peace and to the sun that shone upon it. Oh yes, it was a sorrowful joy! But sorrow was seldom joyful. Life wasn’t just top hats and slow waltzes. Life was also about waiting for those who never came back. And she drank that sorrowful joy and emptied her glass, then filled it exactly as before, and only then became aware of scuffling in the kitchen. She put the cork back in the bottle and saw Boletta coming toward her with Vera, who had fallen asleep in her arms like a little child. She could look like that too, on first glance. “Boil some water!” Boletta shouted. “Get vinegar and bandages!” The Old One lifted her glass and put it down again. “What on earth
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