had worked. He had turned Sir Darkwind into a Gorsel bush.
The dragons all roared happily. Tears the size of raindrops, tears of joy, poured from their ancient eyes.
âMy mission was to destroy the Dragon Master and free the dragons,â Ned said. âBut first I had to trick him into leaving the house! As you can see, I have succeeded.â
âYou have kept your bargain with me,â Ulrick said. It gazed down at the Gorsel bush. âHow long will your spell last?â
âI donât know,â Ned replied. âIt doesnât really matterâdoes it?â
âNo. Not really,â Ulrick replied.
And then Ulrick bent its head low and began to devour the bush and its tasty berries.
The Mummyâs Dream
INTRODUCTION
ILLUSTRATED BY J OHN J UDE P ALENCAR
T he museum in my hometown was very small. When we visited there on school trips, my friends and I always headed to the same placeâthe mummy room.
Iâd lean over the big stone case and stare down at the ancient mummy. He seemed to stare back at me through the layers of gauze and tar. His arms were crossed over his slender chest. The gauze wrapped around his body was stained and torn.
One day our fourth-grade class visited the museum. I headed straight for the mummy room. I was staring down at the ancient figure when a few of my friends decided to be funny.
As I leaned over the case, they grabbed me. They lifted me off the floorâand started to drop me headfirst into the case.
I let out a scream. I didnât want to fall on top of that mummy. I didnât want to touch him.
Luckily my friends saw a guard approaching. They quickly pulled me out and stood me on my feet.
Ever since that close call, Iâve always wondered what it would be like to lie on the bottom of a cold, ancient mummy case.
This is a story about a boy who finds out.
I gazed over Joanna Levinâs shoulder into the glass display case. A small sign above the case read: ANCIENT EGYPTIAN ART. Bracelets and necklaces and long golden earrings gleamed under the bright lights.
âWow. Theyâre incredible!â Joanna declared. She poked her finger against the glass. âI want that one and that one.â
I shook my head. âTheyâre from four thousand years ago, Joanna. They probably cost millions.â
Joanna shoved me away. âItâs my birthday,â she said. âWhy canât I pick out a few presents?â
âItâs not a gift shop. Itâs a museum,â I replied.
She shoved me again. âConnor, youâre about as much fun as a toothache.â
âThis is a cool party, Joanna!â Abbey Foreman called from across the room.
âWhat a great idea,â Debra said. âHaving your birthday party at the science museum.â
âAnd we have the whole museum to ourselves,â Joanna said.
My friend Josh tugged my arm. âCheck it out, Connor. The mummy room. Over there.â
Josh and I made our way to the next room, our shoes clicking on the hard tile floors.
The mummy room was small and dimly lit. It had a low green ceiling, which made the room seem even darker.
Photographs of the pyramids in Egypt hung on one wall. In front of the photos stood a pile of crumbling yellow bricks. A sign said they were actual stones from King Tutâs burial tomb.
Two big stone mummy cases sat a few feet apart in the middle of the room. The cases were open, their stone lids propped against the wall opposite the photos.
Josh and I ran up to the first case. It was tall and deep. We had to stand on tiptoe to see into it.
I leaned on the case and peered down. The smooth stone felt cold on my hands. âEmpty,â I said.
âIt looks like a huge bathtub,â Josh said. âDo you believe that a dead person actually was in here?â
Joanna and the other kids gathered around the other case. âOh, gross,â Debra Fair groaned, making a disgusted face.
Josh and I squeezed in
Bryan Chick
Deborah Voigt
The Midwife’s Glass Slipper
Peter Bently
Steven Travers
Joseph O'Day
Judy Andrekson
Peter Rudiak-Gould
Kate Long
Marie Darrieussecq