the string on the big hatbox. Her hands hovered over the edge of the lid, but for some reason she could not make up her mind to open it ‘I been thinking about what I’ve done on this already,’ she said.
‘And it may work and it may not.’
Bill went on reading. She still knelt over the box, but did not open it. Her eyes wandered over to Bill as he sat with his back to her. One of his big feet kept stepping on the other as he read. His shoes were scuffed. Once their Dad had said that all Bill’s dinners went to his feet and his breakfast to one ear and his supper to the other ear, that was a sort of mean thing to say and Bill had been sour over it for a month, but it was funny.
His ears flared out and were very red, and though he was just out of high school he wore a size thirteen shoe. He tried to hide his feet by scraping one foot behind the other when he stood up, but that only made it worse.
Mick opened the box a few inches and then shut it again. She felt too excited to look into it now. She got up and walked around the room until she could calm down a little. After a few minutes she stopped before the picture she had painted at the free government art class for school kids last winter. There was a picture of a storm on the ocean and a sea gull being dashed through the air by the wind. It was called ‘Sea Gull with Back Broken in Storm.’ The teacher had described the ocean during the first two or three lessons, and that was what nearly everybody started with. Most of the kids were like her, though, and they had never really seen the ocean with their own eyes.
That was the first picture she had done and Bill had tacked it on his wall. All the rest of her pictures were full of people.
She had done some more ocean storms at first--one with an airplane crashing down and people jumping out to save themselves, and another with a trans-Atlantic liner going down and all the people trying to push and crowd into one little lifeboat.
Mick went into the closet of Bill’s room and brought out some other pictures she had done in the class--some pencil drawings, some water-colors, and one canvas with oils. They were all full of people. She had imagined a big fire on Broad Street and painted how she thought it would be. The flames were bright green and orange and Mr. Brannon’s restaurant and the First National Bank were about the only buildings left.
People were lying dead in the streets and others were running for their lives. One man was in his nightshirt and a lady was trying to carry a bunch of bananas with her. Another picture was called ‘Boiler Busts in Factory,’ and men were jumping out of windows and running while a knot of kids in overalls stood scrouged together, holding the buckets of dinner they had brought to their Daddies. The oil painting was a picture of the whole town fighting on Broad Street. She never knew why she had painted this one and she couldn’t think of the right name for it. There wasn’t any fire or storm or reason you could see in the picture why all this battle was happening. But there were more people and more moving around than in any other picture. This was the best one, and it was too bad that she couldn’t think up the real name. In the back of her mind somewhere she knew what it was.
Mick put the picture back on the closet shelf. None of them were any good much. The people didn’t have fingers and some of the arms were longer than the legs. The class had been fun, though. But she had just drawn whatever came into her head without reason--and in her heart it didn’t give her near the same feeling that music did. Nothing was really as good as music.
Mick knelt down on the floor and quickly lifted the top of the big hatbox. Inside was a cracked ukulele strung with two violin strings, a guitar string and a banjo string. The crack on the back of the ukulele had been neatly mended with sticking plaster and the round hole in the middle was covered by a piece of wood. The bridge
‘And it may work and it may not.’
Bill went on reading. She still knelt over the box, but did not open it. Her eyes wandered over to Bill as he sat with his back to her. One of his big feet kept stepping on the other as he read. His shoes were scuffed. Once their Dad had said that all Bill’s dinners went to his feet and his breakfast to one ear and his supper to the other ear, that was a sort of mean thing to say and Bill had been sour over it for a month, but it was funny.
His ears flared out and were very red, and though he was just out of high school he wore a size thirteen shoe. He tried to hide his feet by scraping one foot behind the other when he stood up, but that only made it worse.
Mick opened the box a few inches and then shut it again. She felt too excited to look into it now. She got up and walked around the room until she could calm down a little. After a few minutes she stopped before the picture she had painted at the free government art class for school kids last winter. There was a picture of a storm on the ocean and a sea gull being dashed through the air by the wind. It was called ‘Sea Gull with Back Broken in Storm.’ The teacher had described the ocean during the first two or three lessons, and that was what nearly everybody started with. Most of the kids were like her, though, and they had never really seen the ocean with their own eyes.
That was the first picture she had done and Bill had tacked it on his wall. All the rest of her pictures were full of people.
She had done some more ocean storms at first--one with an airplane crashing down and people jumping out to save themselves, and another with a trans-Atlantic liner going down and all the people trying to push and crowd into one little lifeboat.
Mick went into the closet of Bill’s room and brought out some other pictures she had done in the class--some pencil drawings, some water-colors, and one canvas with oils. They were all full of people. She had imagined a big fire on Broad Street and painted how she thought it would be. The flames were bright green and orange and Mr. Brannon’s restaurant and the First National Bank were about the only buildings left.
People were lying dead in the streets and others were running for their lives. One man was in his nightshirt and a lady was trying to carry a bunch of bananas with her. Another picture was called ‘Boiler Busts in Factory,’ and men were jumping out of windows and running while a knot of kids in overalls stood scrouged together, holding the buckets of dinner they had brought to their Daddies. The oil painting was a picture of the whole town fighting on Broad Street. She never knew why she had painted this one and she couldn’t think of the right name for it. There wasn’t any fire or storm or reason you could see in the picture why all this battle was happening. But there were more people and more moving around than in any other picture. This was the best one, and it was too bad that she couldn’t think up the real name. In the back of her mind somewhere she knew what it was.
Mick put the picture back on the closet shelf. None of them were any good much. The people didn’t have fingers and some of the arms were longer than the legs. The class had been fun, though. But she had just drawn whatever came into her head without reason--and in her heart it didn’t give her near the same feeling that music did. Nothing was really as good as music.
Mick knelt down on the floor and quickly lifted the top of the big hatbox. Inside was a cracked ukulele strung with two violin strings, a guitar string and a banjo string. The crack on the back of the ukulele had been neatly mended with sticking plaster and the round hole in the middle was covered by a piece of wood. The bridge
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